Aristophanes Acharnians 703

ed. F. W. Hall, ed. William M. Geldart

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Acharnians. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1906.

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Current edition Perseus

Ἀχαρνῆς (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.)

Translations (2)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 703 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 703 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

704. mvp-tlg0019-tlg001-sanjaya-com-eng1-24

Line 704

ἐξολέσθαι συμπλακέντα τῇ Σκυθῶν ἐρημίᾳ,
The aorist infinitive ἐξολέσθαι functions as a complementary infinitive dependent on an implied verb of desire or command (likely ἤθελεν or ἔφη from the preceding context, where the Chorus or a character urges the Scythian to be destroyed or to destroy himself). The construction combines the middle/passive aorist infinitive of ἐξολέθριω (to destroy utterly) with the perfect participle συμπλακέντα (having been entangled/caught up), creating a dense causal-temporal clause: 'to be utterly destroyed having been entangled in the desolation of the Scythians.' The participle συμπλακέντα is particularly striking here; while its root implies physical entanglement (from πλέκω), in this context it metaphorically suggests being ensnared or overwhelmed by the 'desolation' (ἐρημίᾳ) of the Scythian steppe, a topos of barbarian otherness in Aristophanic comedy. The dative ἐρημίᾳ is not merely instrumental but locative-ablative, emphasizing the environment as the agent of entanglement.