Aristophanes Acharnians 703

Anonymous (Translator)

Acharnians. Aristophanes. Anonymous (Translator). New York. 192?.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Acharnians (OCR draft) (English) (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 719-835 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 703 focus

Notes on the current edition

Acharnians

1. Cephisodemus was an Athenian, but through his mother possessed Scythian blood.
2. The city of Athens was policed by Scythian archers.
3. Alcibiades.

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

704. mvp-tlg0019-tlg001-sanjaya-com-eng1-24

Line 704

ἐξολέσθαι συμπλακέντα τῇ Σκυθῶν ἐρημίᾳ,
The aorist infinitive ἐξολέσθαι functions as a complementary infinitive dependent on an implied verb of desire or command (likely ἤθελεν or ἔφη from the preceding context, where the Chorus or a character urges the Scythian to be destroyed or to destroy himself). The construction combines the middle/passive aorist infinitive of ἐξολέθριω (to destroy utterly) with the perfect participle συμπλακέντα (having been entangled/caught up), creating a dense causal-temporal clause: 'to be utterly destroyed having been entangled in the desolation of the Scythians.' The participle συμπλακέντα is particularly striking here; while its root implies physical entanglement (from πλέκω), in this context it metaphorically suggests being ensnared or overwhelmed by the 'desolation' (ἐρημίᾳ) of the Scythian steppe, a topos of barbarian otherness in Aristophanic comedy. The dative ἐρημίᾳ is not merely instrumental but locative-ablative, emphasizing the environment as the agent of entanglement.