Aristophanes Acharnians 366

Anonymous (Translator)

Acharnians. Aristophanes. Anonymous (Translator). New York. 192?.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Acharnians (OCR draft) (English) (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 347-488 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 366 focus

Notes on the current edition

Acharnians

1. Orators in the pay of the enemy.
2. Satire on the Athenians' addiction to law-suits.
3. The Babylonians. Cleon had denounced Aristophanes to the Senate for having scoffed at Athens before strangers, many of whom were present at the performance. The play is now lost.

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

377. mvp-tlg0019-tlg001-sanjaya-com-eng1-8

Line 377

αὐτός τʼ ἐμαυτὸν ὑπὸ Κλέωνος ἅπαθον
The phrase αὐτός τʼ ἐμαυτὸν presents a rare and emphatic pleonasm (αὐτός + reflexive pronoun) typically found in Aristophanic comedy to underscore the personal agency and victimhood of the speaker against the specific targeting of Cleon. While the reflexive ἐμαυτὸν is standard for the first person, the addition of αὐτός here functions not merely as an intensifier but as a focalizing device, isolating the speaker as the specific object of Cleon's action in a context of political persecution. This construction is syntactically distinct from the more common αὐτὸς ἑαυτόν or simple reflexive usage, highlighting the dramatic irony of the protagonist (Dicaeopolis) claiming personal victimization by the most powerful demagogue in Athens.