Homer Odyssey 9.231

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Then first a fire we kindle, and prepare
For his return with sacrifice and prayer.
The loaden shelves afford us full repast;
We sit expecting. Lo! he comes at last.
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Near half a forest on his back he bore,
And cast the ponderous burden at the door.
It thunder'd as it fell. We trembled then,
And sought the deep recesses of the den.
Now, driven before him through the arching rock,
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Came tumbling, heaps on heaps, th' unnumber'd flock:
Big-udder'd ewes, and goats of female kind;
(The males were penn'd in outward courts behind;)
Then, heav'd on high, a rock's enormous weight
To the cave's mouth he roll'd, and clos'd the gate:
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(Scarce twenty four-wheel'd cars, compact and strong,
The massy load could bear, or roll along.)
He next betakes him to his evening cares,
And, sitting down, to milk his flocks prepares;
Of half their udders eases first the dams,
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Then to the mother's teat submits the lambs.
Half the white stream to hardening cheese he press'd,
And high in wicker-baskets heap'd: the rest,
Reserv'd in bowls, supplied his nightly feast.
His labour done, he fir'd the pile, that gave
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A sudden blaze, and lighted all the cave.
We stand discover'd by the rising fires;
Askance the giant glares, and thus inquires:

Odyssey. Homer. London. 1858.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) (English) (English (Alexander Pope, 1726, ed. Watson, 1858))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 9.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 9.231 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 9.216 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 9.231 focus
We lit a fire, offered some of the cheeses in sacrifice, ate others of them, and then sat waiting till the Cyclops should come in with his sheep. When he came, he brought in with him a huge load of dry firewood to light the fire for his supper, [235] and this he flung with such a noise on to the floor of his cave that we hid ourselves for fear at the far end of the cavern. Meanwhile he drove all the ewes inside, as well as the she-goats that he was going to milk, leaving the males, both rams and he-goats, outside in the yards. Then [240] he rolled a huge stone to the mouth of the cave—so huge that two and twenty strong four-wheeled wagons would not be enough to draw it from its place against the doorway. When he had so done he sat down and milked his ewes and [245] goats, all in due course, and then let each of them have her own young. He curdled half the milk and set it aside in wicker strainers, but the other half he poured into bowls that he might drink it for his supper. [250] When he had got through with all his work, he lit the fire, and then caught sight of us, whereon he said:
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 9.231 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 9.231 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 9.231 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 9.231 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 9 focus

Notes on the current edition

Odyssey

1. It is observable that the Cyclops take no notice of the threat, conveyed by Ulysses, of a human avenger in the person of Agamemnon.

New Alexandria Commentaries

Anita Nikkanen

This attempt by the Cyclops to trick Odysseus illustrates the way lanthanein/lēthein is used in the context of speech in the Odyssey: in such context lanthanein/lēthein consistently indicates deceit. So here, it is in his devious speech (ὣς φάτο) to Odysseus that the Cyclops attempts to escape the notice and so deceive our hero, but the wily man that he is, Odysseus is not taken in (οὐ λάθεν).

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Douglas Frame

comparison to Paṇi myth in which a cave dwelling demon keeps flocks he encloses at night and releases by day

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evidence of the role of Odysseus’ intelligence in the Cyclops episode

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evidence of the role of Odysseus’ intelligence in the Cyclops episode

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Gregory Nagy

The time has come for Odysseus himself to sing his own epic odyssey, and the hero chooses to start with the most celebrated story of the Homeric Odyssey, about the blinding of the Cyclops.

draft js image error“Ulysses Giving Wine to Polyphemus” (1805). John Flaxman (1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund, 1996. Image via the Tate.

The transition from Rhapsody 8 to Rhapsody 9 marks a change in the form of singing for the singer of tales. The poetic bravura of Demodokos, blind singer of the Phaeacians, will now be superseded by a masterpiece of epic narration performed by Odysseus himself, who is starting to sing his own epic odyssey. The hero’s song will extend from the beginning of Rhapsody 9 here all the way through the end of Rhapsody 12, and the size of this song, consisting of four rhapsodies, will correspond to one-twelfth of the Homeric Iliad and Odyssey combined. Odysseus will perform his song in the style of the Homēridai, notional descendants of Homer who performed the Iliad and Odyssey in relay. The relay performance, which was competitive as well as collaborative, consisted of twelve units, each unit consisting of four rhapsodies, and it took place at the seasonally recurring festival of the Panionia at a place called the Panionion in Asia Minor. As already noted before, this festival was the political and cultural self-expression of the Ionian Dodecapolis, a confederation of twelve states that reached its apogee in the eastern Greek world during the late eighth and early seventh century BCE. (On the Ionian Dodecapolis, see the anchor comment on I.01.463; also the comment on O.07.321; also on I.02.867–869 and on I.20.403–405; see also under Ionian Dodecapolis in the inventory of Words and Ideas.) The division of the Iliad and Odyssey into twelve units, six for the Iliad and six for the Odyssey, with each unit containing four rhapsodies, corresponds to the division of the Ionian confederation into twelve states. It may be argued, then, that each one of the twelve states of the Ionian Dodecapolis fielded a rhapsode for performing competitively one of the twelve epic units. Which rhapsode was assigned which one of the twelve epic units could have been determined by lottery or perhaps by way of seasonal rotation. It may also be argued that the rhapsodic unit extending from the start of Rhapsody 9 here all the way through the end of Rhapsody 12 represents an idealized rhapsodic performance in the style of the Homēridai. And Rhapsody 9 begins with a kind of Homeric signature at O.09.03–011—the mark of Homer, as it were.

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Leonard Muellner

comparison of the diction here with that in I.24.039-048 regarding persons incurring mēnis

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comparison of eukhesthai einai + social relationship with eukhesthai einai + place/father’s name and arguing that the function of eukhesthai in these is ‘say (proudly, accurately, contentiously)’ [MRBTP: 'ff']

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in a list of eukhesthai einai + social relationship and comparison of these kinds of verses with eukhesthai einai + place/father’s name

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analysis of the functional overlap between hiketēs and xeinos, argument that in Homer hiketēs still means ‘he who comes, arrives’ [MRBTP: 'ff']

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in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

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