Homer Odyssey 5.145

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To her the power who bears the charming rod:
185
'Dismiss the man, nor irritate the god;
'Prevent the rage of him who reigns above,
'For what so dreadful as the wrath of Jove?'

Odyssey. Homer. London. 1858.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) (English) (English (Alexander Pope, 1726, ed. Watson, 1858))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 5.145 focus
Translations (9)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 5.145 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 5.160 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 5.145 focus
“Then send him away,” said Hermes, “and fear the mēnis of Zeus, lest he grow angry and punish you.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 5.145 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 5.145 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 5.145 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 5.145 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 5 focus
English Bridge (Amelia Parrish and Gregory Crane, 2023) (OCR draft) Experimental (English Bridge (Amelia Parrish and Gregory Crane, 2023)) — 5.145 focus

Notes on the current edition

Odyssey

1. He had long been unable to obtain his dismission with the most urgent entreaties; this voluntary kindness therefore seems suspicious. Pope.

New Alexandria Commentaries

Gregory Nagy

The rhapsody starts with the releasing of Odysseus by one goddess and ends with the mystical saving of his life by a second goddess, who is Leukotheā, the White Goddess. The beautiful Leukotheā saves Odysseus by undoing her hair and giving him as a life-saver the veil that had held her curls in place. As for the first goddess, who is Calypso, her action in releasing Odysseus from their mutual love affair becomes another life-saver for him. That is because the chances of success for such an affair between a mortal man and an immortal goddess would have been minimal, as we will see by observing other myths that tell about other such affairs. If the liaison of Odysseus with Calypso had continued, it is a certainty that he would have been killed off, just as Orion had died because of his liaison with Ēōs the goddess of the dawn.

draft js image error“Leucothea, the White Goddess, Preserving Ulysses” (1805). John Flaxman (1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund, 1996. Image via the Tate.

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The verb heleto ‘took’ referring here at O.05.121 to the seduction of Orion by Ēōs the goddess of the dawn is neutral in comparison to other verbs indicating an abduction by force, as when Ēōs hērpasen ‘seized’ Tīthōnos in Homeric Hymn to Aphrodite 218. For more on the links of heroes like Orion and Tithōnos with Ēōs, see the comment on O.15.250–251.

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The myth about the liaison between the mortal man Orion and the immortal goddess Ēōs is retold by Calypso herself as an example of the double standard shown by the divine powers in not tolerating a relationship where the immortal lover of a mortal is female, not male. It is to be noted that Ēōs, at the moment when she takes the initiative in seducing Orion at O.05.121, is described with the epithet rhododaktulos ‘rosy-fingered’ instead of the epithet thugatēr Dios ‘daughter of Zeus’, which would have been appropriate if the seducer had been a goddess like Aphrodite. See the anchor comment at O.12.001–010.

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The goddess Artemis shoots Orion with her arrows.

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At O.05.136, Calypso says that she was intending to make Odysseus athanatos ‘immortal’ and agērōs ‘ageless’. Similarly in Homeric Hymn to Aphrodite 214, Zeus when he abducts Ganymedes makes him athanatos ‘immortal’ and agērōs ‘ageless’. By contrast, in Homeric Hymn to Aphrodite 221, Ēōs forgets to ask for agelessness after she abducts Tīthōnos and asks only that her mortal lover be athanatos ‘immortal’. So, she forgot to ask that he should have lasting hēbē ‘youth’, Homeric Hymn to Aphrodite 224.

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At O.05.160, aiōn ‘life-force, lifetime’ is a potential recycling of time: see the comment on I.01.052. But such a recycling is threatened at O.05.161 by a linear prolongation of life, which would result in what is indicated here by the verb phthinesthai ‘wilt, perish’.

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For a god to swear by the Styx is to reaffirm the absolute permanence of its waters, as indicated by the epithet aphthito- ‘imperishable’ in Hesiod Theogony 389, 397, 805. See the comment on I.02.046; also the comment on Homeric Hymn to Demeter 259, where Demeter swears by the Styx that she would have made the child Demophon athanatos ‘immortal’ and agērōs, 260, if the mother of this child had not spoiled what the goddess intended.

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Leonard Muellner

analysis of divine mēnis at sexual transgressions (regarding the triangle of a goddess, a mortal, and Zeus, representing the gods as a group – notion of social solidarity in connection with mēnis)

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analysis of divine mēnis at sexual transgressions (regarding amphadiēn as “with the knowledge of Zeus”)

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analysis of divine mēnis at sexual transgressions (regarding the triangle of a goddess, a mortal, and Zeus, representing the gods as a group – notion of social solidarity in connection with mēnis)

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analysis of divine mēnis at sexual transgressions (regarding amphadiēn)

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analysis of divine mēnis at sexual transgressions

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analysis of divine mēnis at sexual transgressions

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analysis of divine mēnis at sexual transgressions (regarding amphadiēn as “with the knowledge of Zeus”)

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analysis of divine mēnis at sexual transgressions

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analysis of divine mēnis at sexual transgressions

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analysis of divine mēnis at sexual transgressions

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in the list of offenses that (threaten to) incur mēnis

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in a list of examples of eukhesthai einai + comparative/superlative (regarding physical prowess, physical beauty, prestige)

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