Homer Odyssey 15.179

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'Oh! if this promis'd bliss by thundering Jove'
'(The prince replied) 'stand fix'd in fate above;
'To thee, as to some god, I'll temples raise,
'And crown thy altars with the costly blaze.'
205

Odyssey. Homer. London. 1858.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) (English) (English (Alexander Pope, 1726, ed. Watson, 1858))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 15.179 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 15.179 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 15.195 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 15.179 focus
The spirited Telemachus repliece, [180] “May Zeus, high thundering husband of Hera, so grant it,” replied the spirited Telemachus; “if it should prove to be so, I will make vows to you as though you were a god, even when I am at home.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 15.179 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 15.179 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 15.179 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 15.179 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 15 focus

New Alexandria Commentaries

Douglas Frame

analysis of the release of Malampus – ékfuge kêra, he “escaped death,” a phrase similar to phúgomen thánaton

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Gregory Nagy

Now that Odysseus is back home in Ithaca, it is time for his son Telemachus to return home as well. The goddess Athena now travels to Sparta, where she will initiate the return of Telemachus back home to Ithaca.

draft js image errorDetail from a fresco found at Hagia Triadha in Crete. Reconstruction by Mark Cameron, p. 96 of the catalogue Fresco: A Passport into the Past. Minoan Crete through the eyes of Mark Cameron. 1999. Catalogue curated by Doniert Evely. Athens: British School at Athens; and N. P. Goulandris Foundation, Museum of Cycladic Art. Reproduced with the permission of the British School at Athens. BSA Archive: Mark Cameron Personal Papers: CAM 1.

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Here as also at O.15.253, it is said explicitly that the hero Amphiaraos died in the war of the Seven against Thebes. See also the note on O.15.253 (details in BA 204). (What follows is epitomized from H24H 15§34.) In the myth about the death of Amphiaraos as retold by Pausanias (1.34.2), the hero is riding back home on his war chariot after the defeat of the Seven against Thebes, when suddenly the earth opens up underneath and swallows him—together with his speeding chariot and horses and all—and, at the spot where this engulfment happened, there is a hieron, ‘sacred space’, where worshippers of the hero come to consult him, though Pausanias reports that there is some disagreement about matching the place of the ritual consultations with the actual place of the mythical engulfment. In any case, I propose that the engulfment of Amphiaraos by the earth signals not only his death but also his subsequent return from death as a cult hero. Here at O.15.247 and at O.15.253, the death of Amphiaraos after the expedition against Thebes is made explicit, though this death is only implicit in the references to the engulfment of the same hero as narrated in the songs of Pindar: Olympian 6.14; Nemean 9.24-27, 10.8-9. The poetic reticence we see in Pindar’s songs about mentioning the actual death of Amphiaraos at the moment of his engulfment by the earth is a sign, I also propose, of a keen awareness about the subsequent resurrection of the hero (BA 154, 204).

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Leonard Muellner

in a list of examples of absolute use of eukhesthai to report prayers, this verse as a case in point about the abundance of finite verbs in the indicative that characterizes the sub-genre of narratives or ritual scenes, and analysis of this verse as a transformation of a ritual narrative formula

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