Homer Odyssey 14.235

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'But when great Jove that direful war decreed,
'Which roused all Greece, and made the mighty bleed;
'Our states myself and Idomen employ
'To lead their fleets, and carry death to Troy.
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'Nine years we warr'd; the tenth saw Ilion fall;
'Homeward we sail'd, but heaven dispers'd us all. 1
'One only month my wife enjoy'd my stay;
'So will'd the god who gives and takes away.
'Nine ships I mann'd, equipp'd with ready stores,
280
'Intent to voyage to th' Aegyptian shores;
'In feast and sacrifice my chosen train
'Six days consum'd; the seventh we plough'd the main.
'Crete's ample fields diminish to our eye;
'Before the Boreal blast the vessels fly;
285
'Safe through the level seas we sweep our way;
'The steersman governs, and the ships obey.
'The fifth fair morn we stem th' Aegyptian tide,
'And tilting o'er the bay the vessels ride:
'To anchor there my fellows I command,
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'And spies commission to explore the land.
'But, sway'd by lust of gain, and headlong will,
'The coasts they ravage, and the natives kill.
'The spreading clamour to their city flies,
'And horse and foot in mingled tumult rise.
295
'The reddening dawn reveals the circling fields,
'Horrid with bristly spears, and glancing shields.
'Jove thunder'd on their side. Our guilty head
'We turn'd to flight; the gathering vengeance spread
'On all parts round, and heaps on heaps lie dead.
300
'I then explor'd my thought, what course to prove:
'(And sure the thought was dictated by Jove;)
'Oh, had he left me to that happier doom,
'And sav'd a life of miseries to come!
'The radiant helmet from my brows unlaced,
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'And low on earth my shield and javelin cast,
'I meet the monarch with a suppliant's face,
'Approach his chariot, and his knees embrace.
'He heard, he sav'd, he placed me at his side;
'My state he pitied, and my tears he dried,
310
'Restrain'd the rage the vengeful foe express'd,
'And turn'd the deadly weapons from my breast.
'Pious! to guard the hospitable rite,
'And fearing Jove, whom mercy's works delight.

Odyssey. Homer. London. 1858.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) (English) (English (Alexander Pope, 1726, ed. Watson, 1858))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.191 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.234 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 14.233 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 14.235 focus
My house grew apace and I became a great man among the Cretans, [235] but when Zeus counseled that terrifying expedition, in which so many perished, the people required me and renowned Idomeneus to lead their ships to Troy, and there was no way out of it, for the judgment of the people of the district [ dēmos] insisted on our doing so. [240] There we fought for nine whole years, but in the tenth we ransacked the city of Priam and sailed home again as the gods dispersed us. Then it was that Zeus devised evil against me. I spent but one month happily with my children, [245] wife, and property, and then I conceived the idea of making a descent on Egypt, so I fitted out a fine fleet and manned it. I had nine ships, and the people flocked to fill them. For six days I and my men [250] made feast, and I found them many victims both for sacrifice to the gods and for themselves, but on the seventh day we went on board and set sail from Crete with a fair North wind behind us though we were going down a river. Nothing went ill [255] with any of our ships, and we had no sickness on board, but sat where we were and let the ships go as the wind and steersmen took them. On the fifth day we reached the river Aegyptus; there I stationed my ships in the river, bidding my men stay [260] by them and keep guard over them while I sent out scouts to reconnoiter from every point of vantage.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 14.235 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 14.235 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 14.235 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 14.235 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 14 focus

Notes on the current edition

Odyssey

1. This verse is a mean insertion, destitute of all countenance from his original. Wakefield.

New Alexandria Commentaries

Gregory Nagy

Now that he has finally returned to his homeland of Ithaca, Odysseus must accomplish another kind of return: he must be restored to kingship. Such a restoration, however, must start from the bottom up. The goddess Athena, his ultimate benefactor but occasional antagonist, has made Odysseus seem to be ‘base’ on the outside, hiding his inner moral nobility. Only those who are likewise morally ‘noble’ will be able to read, as it were, the hero’s true nature. Meanwhile, the coded tales told by Odysseus point toward the truth of his kingship—without revealing it outright. A telling example here in Rhapsody 14 is the second Cretan tale told by Odysseus: it is about a Cretan princeling, not unlike the dapper figure we see in the romanticized restoration of a Minoan fresco as featured in the cover-illustration for Rhapsody 14.

draft js image errorMinoan—probably Neopalatial—fresco commonly known as the “Lily Prince.” Whatever the exact type of this personage (perhaps a crowned acrobat, according to the interpretation of Maria Shaw), the Lily Prince is certainly a Minoan of elite standing. Public domain image based on a famous watercolor by Émile Gilliéron of a reconstruction by Arthur Evans. Image via Wikimedia Commons.

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Here at O.14.192–359 we see the second example of “Cretan lies” told by Odysseus in the context of his re-entry into the kingdom of Ithaca. The first example is at O.13.256–286. The concept of “Cretan lies” was introduced in the anchor comment at O.01.284–286 on Cretan Odyssey.

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Leonard Muellner

association of (a verbal derivative of) opis and mēnis

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in the list of offenses that (threaten to) incur mēnis

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analysis of the passages in the Odyssey that imply that a basic component of the story of Odysseus’ return, the massacre of the suitors, is a variant of the mēnis theme

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