Homer Odyssey 4.76

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 4.49 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 4.100 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 4.100 focus
I often grieve, as I sit here in my house, for one and all of them. At times I cry aloud for sorrow, but presently I leave off again, for crying is cold comfort and one soon tires of it. Yet grieve for these as I may, I do so [105] for one man more than for them all. I cannot even think of him without loathing both food and sleep, so miserable does he make me, 106 since none of the Achaeans struggled so much 107 as Odysseus struggled and achieved. For him there would be 108 cares in the future, whereas I would have an unforgettable grief [ akhos alaston] always, for he has been gone a long time, and we know not [110] whether he is alive or dead. His old father, his long-suffering wife Penelope, and his son Telemachus, whom he left behind him an infant in arms, are plunged in grief on his account.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 4.100 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 4.100 focus
'Still in short intervals of pleasing woe,
'Regardful of the friendly dues I owe,
'I to the glorious dead, for ever dear!
130
'Indulge the tribute of a grateful tear.
'But oh! Ulysses-deeper than the rest
'That sad idea wounds my anxious breast!
'My heart bleeds fresh with agonising pain;
'The bowl and tasteful viands tempt in vain;
135
'Nor sleep's soft power can close my streaming eyes,
'When imaged to my soul his sorrows rise.
'No peril in my cause he ceas'd to prove,
'His labours equall'd only by my love:
'And both alike to bitter fortune born,
140
'For him to suffer, and for me to mourn!
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 4.100 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 4.100 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 4.100 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 4 focus

New Alexandria Commentaries

Gregory Nagy

With the continued aid of the goddess Athena, young Telemachus now becomes an ideal guest for his new hosts, Menelaos together with Helen. The identity of Helen as a goddess becomes more evident now that she is back in Sparta. This divine identity will point to the future immortalization of the hero Menelaos by virtue of his winning back Helen as his consort.

draft js image error“The Fair Helen.” Willy Pogany (Hungarian, 1882–1955). Image via.

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Menelaos laments here the sorrows of Trojan War, O.04.093–112, and Telemachus responds by weeping, O.04.113–116. These sorrows are accentuated by the personal involvement of heroes like Menelaos and Odysseus as main participants in the war. The very idea of lament, as signaled elsewhere by words like penthos and akhos, is seen here as an aspect of genuine narrative about the heroic world. As we are about to see, such a genuine narrative is to be contrasted with the false narrative induced by the drug nēpenthes, O.04.221, which prevents contact with the emotional world of lament. For the interpretation of nēpenthes as ‘negating sorrow [penthos]’, I refer ahead to the comment on O.04.220–226.

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Leonard Muellner

analysis of the development of Greek posis compared with Vedic pati-

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