Homer Odyssey 4.100

ed. George Chapman

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Odyssey. Homer. ed. George Chapman. London. 1857.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1667, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 4.147 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 4.100 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 4.76 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 4.100 focus
I often grieve, as I sit here in my house, for one and all of them. At times I cry aloud for sorrow, but presently I leave off again, for crying is cold comfort and one soon tires of it. Yet grieve for these as I may, I do so [105] for one man more than for them all. I cannot even think of him without loathing both food and sleep, so miserable does he make me, 106 since none of the Achaeans struggled so much 107 as Odysseus struggled and achieved. For him there would be 108 cares in the future, whereas I would have an unforgettable grief [ akhos alaston] always, for he has been gone a long time, and we know not [110] whether he is alive or dead. His old father, his long-suffering wife Penelope, and his son Telemachus, whom he left behind him an infant in arms, are plunged in grief on his account.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 4.100 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 4.100 focus
'Still in short intervals of pleasing woe,
'Regardful of the friendly dues I owe,
'I to the glorious dead, for ever dear!
130
'Indulge the tribute of a grateful tear.
'But oh! Ulysses-deeper than the rest
'That sad idea wounds my anxious breast!
'My heart bleeds fresh with agonising pain;
'The bowl and tasteful viands tempt in vain;
135
'Nor sleep's soft power can close my streaming eyes,
'When imaged to my soul his sorrows rise.
'No peril in my cause he ceas'd to prove,
'His labours equall'd only by my love:
'And both alike to bitter fortune born,
140
'For him to suffer, and for me to mourn!
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 4.100 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 4.100 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 4 focus

Notes on the current edition

Odyssey

1. Diana.

New Alexandria Commentaries

Gregory Nagy

With the continued aid of the goddess Athena, young Telemachus now becomes an ideal guest for his new hosts, Menelaos together with Helen. The identity of Helen as a goddess becomes more evident now that she is back in Sparta. This divine identity will point to the future immortalization of the hero Menelaos by virtue of his winning back Helen as his consort.

draft js image error“The Fair Helen.” Willy Pogany (Hungarian, 1882–1955). Image via.

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Menelaos laments here the sorrows of Trojan War, O.04.093–112, and Telemachus responds by weeping, O.04.113–116. These sorrows are accentuated by the personal involvement of heroes like Menelaos and Odysseus as main participants in the war. The very idea of lament, as signaled elsewhere by words like penthos and akhos, is seen here as an aspect of genuine narrative about the heroic world. As we are about to see, such a genuine narrative is to be contrasted with the false narrative induced by the drug nēpenthes, O.04.221, which prevents contact with the emotional world of lament. For the interpretation of nēpenthes as ‘negating sorrow [penthos]’, I refer ahead to the comment on O.04.220–226.

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On aethlos (āthlos) ‘ordeal’ in the specific sense of ‘ordeal of war’, see the comment on I.03.125–128.

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At O.04.113–116, we saw that Telemachus weeps in response to the laments of Menelaos over the sorrows of the Trojan War. And now we see at O.04.182–185 that Telemachus weeps again in response to further laments of Menelaos, whose sad words are at this point referring directly to the disappearance of Odysseus; also weeping are Helen and Menelaos himself, O.04.184–185, and Peisistratos too, O.04.186–189, who laments the death of his brother Antilokhos in the Trojan War. As we are about to see, the emotions conjured by such events as transmitted in genuine narratives about the Trojan War are to be contrasted with the absence of emotions in a false narrative induced by the drug nēpenthes, O.04.221, which prevents contact with the emotional world of lament. For the interpretation of nēpenthes as ‘negating sorrow [penthos]’, I again refer ahead to the comment on O.04.220–226.

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On the traditions surrounding the death of Antilokhos, son of Nestor and brother of Peisistratos, see the anchor comment at Ι.08.078–117 on: Nestor’s entanglement and the poetics of evocation. See also the comment on I.09.057–058.

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Leonard Muellner

analysis of the development of Greek posis compared with Vedic pati-

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