Homer Odyssey 2.377

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 2.388 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 2.388 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 2.388 focus
When the sun had set and darkness was over all the land, she got the ship into the water, put [390] all the tackle on board her that ships generally carry, and stationed her at the end of the harbor. Presently the crew came up, and the owl-vision goddess spoke encouragingly to each of them.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 2.388 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 2.388 focus
And now, declining with his sloping wheels,
Down sunk the sun behind the western hills.
The goddess shov'd the vessel from the shores,
And stow'd within its womb the naval stores.
440
Full in the openings of the spacious main
It rides; and now descends the sailor-train.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 2.388 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 2.388 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 2.388 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 2 focus

New Alexandria Commentaries

David Elmer

This line marks the first occurrence in the Odyssey of a formulaic expression"then he/she thought of other things"(ἔνθ᾽ αὖτ᾽ ἀλλ᾽ ἐνόησε) that occurs, with minor variations, eleven times in the Odyssey and twice in the Iliad. The formula shows interesting patterns of restriction in both poems. In the Odyssey, it is always used with a female subject (Athena [2.382, 2.393, 4.795, 5.382, 6.112, 18.187, 23.242, 23.344], Helen [4.219], Nausikaa [6.251], or Penelope [16.409]). In the Iliad, it is used exclusively of Achilles (23.140, 23.193). See Iliad 23.140 for discussion of the two Iliadic instances; here I concentrate on the formula’s occurrences in the Odyssey.

\r\nFrom a narratological point of view, the expression has an important function: as noted by de Jong 2001:66, it “highlights a new, often sudden or unexpected turn in the story,” in this case “the—abrupt—change of scene from Telemachus to Athena.” In other words, the formula marks the development of the plot in a new direction that is not a mere continuation of what has preceded. (Odyssey 23.242 is a significant exception.) Furthermore, it links this new development with the intervention of some specific agent, who is thus momentarily represented as controlling the plot. De Jong 2001:66 notes that the frequency with which the expression is used of Athena corresponds to the goddess’s “role of ‘director’ of the story of the Odyssey.” Occurrences of the formula with Helen, Nausikaa, and Penelope as subjects extend this plot-making power to other prominent women. In this way, a convenient narrative device serves also to underscore one of the poem’s major thematic concerns, namely, the way in which the story of Odysseus’ homecoming—the plot of the Odyssey—depends upon the favorable disposition of certain women, above all Penelope. The poem has numerous ways of signaling that its plot hinges on female agents (see Odyssey 11.226, Odyssey 11.436-39). This should not, however, be interpreted as a subversive gesture: as stressed by Murnaghan 2005, Athena as “source and sponsor” of the Odyssey’s plot works to uphold the authority of the patriarchal oikos.

\r\n\r\nReferences

\r\nde Jong, Irene J. F. 2001. A Narratological Commentary on the Odyssey. Cambridge and New York.

\r\nMurnaghan, Sheila. 1995. “The Plan of Athena.” In The Distaff Side: Representing the Female in Homer’s Odyssey (ed. B. Cohen) 61-80. New York and Oxford.

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Gregory Nagy

The mentoring of Telemachus by Athena continues. First the goddess was Méntēs. Now she will become Méntōr to the young hero. Through the mentorship of the goddess, Telemachus modulates into mental connectivity: he will no longer be disconnected from the epic legacy of his father. As he boards the ship that will take him to Pylos, he is ready to connect with the Odyssey in progress.

draft js image errorTelemachus with Athena as Mentor (1810). Drawing by John Flaxman. Image via Wikimedia Commons.

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