Homer Odyssey 5.408

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 5.408 focus
Translations (9)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 5.382 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 5.408 focus
Odysseus’ heart now began to fail him, and he said despairingly to himself, “Alas, Zeus has let me see land after swimming so far that I had given up all hope, [410] but I can find no landing place, for the coast is rocky and surf-beaten, the rocks are smooth and rise sheer from the sea, with deep water close under them so that I cannot climb out for want of foothold. [415] I am afraid some great wave will lift me off my legs and dash me against the rocks as I leave the water—which would give me a sorry landing. If, on the other hand, I swim further in search of some shelving beach or harbor, a hurricane may [420] carry me out to sea again sorely against my will, or the gods may send some great monster of the deep to attack me; for Amphitrite breeds many such, and I know that Poseidon, the renowned Earthshaker, is very angry with me.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 5.408 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 5.408 focus
'Ah me! when o'er a length of waters toss'd,
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'These eyes at last behold th' unhop'd-for coast,
'No port receives me from the angry main,
'But the loud deeps demand me back again.
'Above sharp rocks forbid access; around
'Roar the wild waves; beneath is sea profound!
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'No footing sure affords the faithless sand,
'To stem too rapid, and too deep to stand.
'If here I enter, my efforts are vain,
'Dash'd on the cliffs or heav'd into the main;
'Or round the island if my course I bend,
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'Where the ports open, or the shores descend,
'Back to the seas the rolling surge may sweep,
'And bury all my hopes beneath the deep.
'Or some enormous whale the god may send;
'(For many such on Amphitrite attend;)
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'Too well the turns of mortal chance I know,
'And hate relentless of my heavenly foe.'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 5.408 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 5.408 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 5.408 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 5 focus
English Bridge (Amelia Parrish and Gregory Crane, 2023) (OCR draft) Experimental (English Bridge (Amelia Parrish and Gregory Crane, 2023)) — 5.408 focus

Notes on the current edition

Odyssey

1. 1
2. 1

New Alexandria Commentaries

Gregory Nagy

The rhapsody starts with the releasing of Odysseus by one goddess and ends with the mystical saving of his life by a second goddess, who is Leukotheā, the White Goddess. The beautiful Leukotheā saves Odysseus by undoing her hair and giving him as a life-saver the veil that had held her curls in place. As for the first goddess, who is Calypso, her action in releasing Odysseus from their mutual love affair becomes another life-saver for him. That is because the chances of success for such an affair between a mortal man and an immortal goddess would have been minimal, as we will see by observing other myths that tell about other such affairs. If the liaison of Odysseus with Calypso had continued, it is a certainty that he would have been killed off, just as Orion had died because of his liaison with Ēōs the goddess of the dawn.

draft js image error“Leucothea, the White Goddess, Preserving Ulysses” (1805). John Flaxman (1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund, 1996. Image via the Tate.

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The comparison of Odysseus to an octopus here is a signature, as it were, of his reputation for being polutropos ‘turning-into-many-different-selves’. This epithet is analyzed in the comment on O.01.001–010. On the polytropic nature of the octopus, I cite two relevant passages: Theognis 215–218 and Pindar F 43 SM.

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For this translation of epiphrosunē, ‘impulse of wisdom’, see HPC 45n33.

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Leonard Muellner

analysis of the functional overlap between hiketēs and xeinos, argument that in Homer hiketēs still means ‘he who comes, arrives,’ and Benveniste’s analysis of its etymology on the basis of figurae etymologicae in Homer

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analysis of the functional overlap between hiketēs and xeinos, argument that in Homer hiketēs still means ‘he who comes, arrives,’ and Benveniste’s analysis of its etymology on the basis of figurae etymologicae in Homer

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analysis of the functional overlap between hiketēs and xeinos, argument that in Homer hiketēs still means ‘he who comes, arrives,’ and Benveniste’s analysis of its etymology on the basis of figurae etymologicae in Homer

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in a list of eukhesthai einai + social relationship (xeinos, hiketēs)

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this verse, where secular eukhesthai is used in a prayer to specify the grounds on which a response is expected, as evidence that there is a secondary dictional and thematic association between secular and sacral eukhesthai (contra Perpillou)

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