Homer Odyssey 23.49

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

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Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 23.85 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 23.39 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 23.49 focus
But the corpses are now all piled up in the gatehouse that is in the outer court, [50] and Odysseus has lit a great fire to purify the house with sulfur. He has sent me to call you, so come with me that you may both be happy together after all; for now at last the desire of your heart has been fulfilled; [55] your husband is come home to find both wife and son alive and well, and to take his revenge in his own house on the suitors who behaved so badly to him.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 23.49 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 23.49 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 23.49 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 23.49 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 23.49 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 23 focus

New Alexandria Commentaries

Gregory Nagy

After the killing of the suitors, Eurykleia rushes to the bedroom of Penelope, waking her up. The queen has slept through it all—the first good night’s sleep she has had in the longest time, she admits. Eurykleia goes on to tell Penelope that Odysseus has really returned and has killed the suitors, but the patient wife will need one more test, to make it perfectly certain that she has recovered her husband. The sēma ‘sign’ of the royal bed that once was theirs and will be theirs once again can now seal their perfect mutual understanding.

draft js image errorEurykleia waking Penelope (1773). Print by Thomas Burke, after a painting by Angelika Kauffmann. Image via the British Museum.

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Eurykleia reassures Penelope that the real Odysseus has returned, O.23.073–077, and she notes as proof the hero’s tell-tale scar, O.23.074, which she saw with her own eyes, as first narrated at O.19.388–507. See the comment on those lines. This scar, says Eurykleia, is a sēma ‘sign, signal’ of the hero’s true identity, O.23.073. Again, I refer to the comment on O.23.073–077.

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