Homer Odyssey 23.85

ed. A. T. Murray

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Odyssey. Homer. ed. A. T. Murray. London. 1919.

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Current edition Perseus

Ὀδύσσεια (Greek) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Translations (9)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 23.85 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 23.85 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 23.85 focus
Then she came down from her upper room, and while doing so she considered whether she should keep at a distance from her husband and question him, or whether she should at once go up to him and embrace him. When, however, she had crossed the stone floor of the hall, she sat down opposite Odysseus by the fire, [90] against the wall at right angles to that by which she had entered, while Odysseus sat near one of the bearing-posts, looking upon the ground, and waiting to see what his wife would say to him when she saw him. For a long time she sat silent and as one lost in amazement. At one moment she looked him full in the face, [95] but then again directly, she was misled by his shabby clothes and failed to recognize him, till Telemachus began to reproach her and said:
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 23.85 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 23.85 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 23.85 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 23.85 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 23.85 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 23 focus

New Alexandria Commentaries

Gregory Nagy

After the killing of the suitors, Eurykleia rushes to the bedroom of Penelope, waking her up. The queen has slept through it all—the first good night’s sleep she has had in the longest time, she admits. Eurykleia goes on to tell Penelope that Odysseus has really returned and has killed the suitors, but the patient wife will need one more test, to make it perfectly certain that she has recovered her husband. The sēma ‘sign’ of the royal bed that once was theirs and will be theirs once again can now seal their perfect mutual understanding.

draft js image errorEurykleia waking Penelope (1773). Print by Thomas Burke, after a painting by Angelika Kauffmann. Image via the British Museum.

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The ultimate sēma ‘sign, signal’ for the mutual recognition of Penelope and Odysseus is the immovable bed that the king had made to be shared with the queen. Within the space of the lines demarcated by O.23.107–230, the noun sēma recurs at O.23.110, O.23.188, O.23.202, O.23.206, O.23.225. The mutual recognition is confirmed by the verb anagignōskein ‘recognize’, when Penelope at long last overtly recognizes Odysseus at O.23.206.

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