Homer Odyssey 10.87

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 10.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 10.87 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 10.87 focus
When we reached the harbor we found it land-locked under steep cliffs, [90] with a narrow entrance between two headlands. My captains took all their ships inside, and made them fast close to one another, for there was never so much as a breath of wind inside, but it was always dead calm. [95] I kept my own ship outside, and moored it to a rock at the very end of the point; then I climbed a high rock to reconnoiter, but could see no sign neither of man nor cattle, only some smoke rising from the ground. [100] So I sent two of my company with an attendant to find out what sort of people the inhabitants were.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 10.87 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 10.87 focus
Within a long recess a bay there lies,
Edged round with cliffs high pointing to the skies;
The jutting shores that swell on either side
Contract its mouth, and break the rushing tide.
Our eager sailors seize the fair retreat,
105
And bound within the port their crowded fleet;
For here retir'd the sinking billows sleep,
And smiling calmness silver'd o'er the deep.
I only in the bay refus'd to moor,
And fix'd, without, my halsers to the shore.
110
From thence we climb'd a point, whose airy brow
Commands the prospect of the plains below:
No tracks of beasts, or signs of men, we found,
But smoky volumes 1 rolling from the ground.
Two with our herald thither we command,
115
With speed to learn what men possess'd the land.
They went, and kept the wheel's smooth beaten road
Which to the city drew the mountain wood;
When lo! they met, beside a crystal spring,
The daughter of Antiphates the king;
120
She to Artacia's silver streams came down,
(Artacia's streams alone supply the town ;)
The damsel they approach, and ask'd what race
The people were? who monarch of the place?
With joy the maid th' unwary strangers heard,
125
And show'd them where the royal dome appear'd.
They went; but, as they entering saw the queen
Of size enormous, and terrific mien,
(Not yielding to some bulky mountain's height,)
A sudden horror struck their aching sight.
130
Swift at her call her husband scour'd away
To wreak his hunger on the destin'd prey;
One for his food the raging glutton slew,
But two rush'd out, and to the navy flew.
Balk'd of his prey, the yelling monster flies,
135
And fills the city with his hideous cries:
A ghastly band of giants hear the roar,
And, pouring down the mountains, crowd the shore.
Fragments they rend from off the craggy brow,
And dash the ruins on the ships below:
140
The crackling vessels burst; hoarse groans arise,
And mingled horrors echo to the skies:
The men, like fish, they stuck upon the flood,
And cramm'd their filthy throats with human food.
Whilst thus their fury rages at the bay,
145
My sword our cables cut, I call'd to weigh;
And charged my men, as they from fate would fly,
Each nerve to strain, each bending oar to ply.
The sailors catch the word, their oars they seize,
And sweep with equal strokes the smoky seas:
150
Clear of the rocks the impatient vessel flies;
Whilst in the port each wretch encumber'd dies.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 10.87 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 10.87 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 10.87 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 10 focus

Notes on the current edition

Odyssey

1. 1

New Alexandria Commentaries

Douglas Frame

description of the Laestrygonian harbor, which is compared to the cave of the Cyclops

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analysis of why Odysseus alone does not enter the Laestrygonian harbor, the place of death. Argues that Homer’s understanding of what was once a “return from death” as a matter of “escape” means that it is no longer necessary to enter the place of death

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suggestion that the episode with the Laestrygonian queen shows this episodes original underworld context

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Gregory Nagy

This Rhapsody centers on the bewitching goddess Circe, whose mystical powers will lead Odysseus to make direct contact with the dead—and with the world of heroes who have already died.

draft js image error“Circe Invidiosa,” (1892). J. W. Waterhouse (English, 1849–1917). Image via Wikimedia Commons.

Circe, like her mystical island, is at first disorienting for Odysseus, but the goddess will in due course reorient the hero, making it possible for him to learn how he will ultimately make his way back home. Odysseus will find his reorientation in the realm of the unconscious.

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Leonard Muellner

analysis of the development of Greek posis compared with Vedic pati-

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