Homer Odyssey 10.133

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

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Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 10.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 10.156 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 10.133 focus
Thence we sailed sadly on, glad to have escaped death, though we had lost our comrades, [135] and came to the Aeaean island, where Circe of the lovely hair lives, a great and cunning goddess who is own sister to the magician Aietes—for they are both children of the sun, Helios who shines on mortals, by Perse, who is daughter to Okeanos. [140] We brought our ship into a safe harbor without a word, for some god guided us there, and having landed we stayed there for two days and two nights, worn out in body and mind. When the fair-haired morning of the third day came [145] I took my spear and my sword, and went away from the ship to reconnoiter, and see if I could discover signs of human handiwork, or hear the sound of voices. Climbing to the top of a high look-out I espied the smoke of Circe’s house [150] rising upwards amid a dense forest of trees, and when I saw this I doubted whether, having seen the smoke, I would not go on at once and find out more, but in the end I thought it best to go back to the ship, give [155] the men their dinners, and send some of them instead of going myself.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 10.133 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 10.133 focus
With earnest haste my frighted sailors press,
While kindling transports glow'd at our success;
But the sad fate that did our friends destroy,
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Cool'd every breast, and damp'd the rising joy.
Now dropp'd our anchors in the Aeaean bay, 1
Where Circe dwelt, the daughter of the Day!
Her mother Persè, of old Ocean's strain,
Thus from the Sun descended, and the Main;
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(From the same lineage stern Aeaetes came,
The far-fam'd brother of th' enchantress dame:)
Goddess, and queen, to whom the powers belong
Of dreadful magic, and commanding song.
Some god directing, to this peaceful bay
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Silent we came, and melancholy lay,
Spent and o'erwatch'd. Two days and nights roll'd on,
And now the third succeeding morning shone.
I climb'd a cliff, with spear and sword in hand,
Whose ridge o'erlook'd a shady length of land;
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To learn if aught of mortal works appear,
Or cheerful voice of mortal strike the ear?
From the high point I mark'd, in distant view,
A stream of curling smoke ascending blue,
And spiry tops, the tufted trees above,
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Of Circe's palace bosom'd in the grove.
Thither to haste, the region to explore,
Was first my first thought: but, speeding back to shore,
I deem'd it best to visit first my crew,
And send out spies the dubious coast to view.
180
As down the hill I solitary go,
Some power divine, who pities human woe,
Sent a tall stag, descending from the wood,
To cool his fervour in the crystal flood;
Luxuriant on the wave-worn bank he lay,
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Stretch'd forth and panting in the sunny ray.
I launch'd my spear, and with a sudden wound
Transpierced his back, and fix'd him to the ground.
He falls, and mourns his fate with human cries:
Through the wide wound the vital spirit flies.
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I drew, and casting on the river's side
The bloody spear, his gather'd feet I tied
With twining osiers which the bank supplied.
An ell in length the pliant wisp I weav'd,
And the huge body on my shoulders heav'd:
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Then, leaning on my spear with both my hands,
Upbore my load, and press'd the sinking sands
With weighty steps, till at the ship I threw
The welcome burden, and bespoke my crew:
"Cheer up, my friends! it is not yet our fate
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To glide with ghosts through Pluto's gloomy gate.
Food in the desert land, behold! is given;
Live, and enjoy the providence of heaven."
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 10.133 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 10.133 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 10.133 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 10 focus

New Alexandria Commentaries

Douglas Frame

Homer says Circe was the daughter of Helios

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Gregory Nagy

This Rhapsody centers on the bewitching goddess Circe, whose mystical powers will lead Odysseus to make direct contact with the dead—and with the world of heroes who have already died.

draft js image error“Circe Invidiosa,” (1892). J. W. Waterhouse (English, 1849–1917). Image via Wikimedia Commons.

Circe, like her mystical island, is at first disorienting for Odysseus, but the goddess will in due course reorient the hero, making it possible for him to learn how he will ultimately make his way back home. Odysseus will find his reorientation in the realm of the unconscious.

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This name for the island of Circe will be a marker for a coincidence of opposites that reveals itself at O.12.001–004.

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