Odyssey 23.231

View: By Book

Odyssey. . Germany. 2014.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) (English) (English (Thomas Hobbes, 1667, ed. Molesworth 1843))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 23.231 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 23.231 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 23.246 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 23.231 focus
Then Odysseus in his turn melted, and wept as he clasped his dear and faithful wife to his bosom. As the sight of land is welcome to men who are swimming towards the shore, when Poseidon has wrecked their ship [235] with the fury of his winds and waves—a few alone reach the land, and these, covered with brine, are thankful when they find themselves on firm ground and out of danger—even so was her husband welcome to her as she looked upon him, [240] and she could not tear her two fair arms from about his neck. Indeed they would have gone on indulging their sorrow till rosy-fingered morn appeared, had not the owl-vision goddess Athena determined otherwise, and held night back in the far west, while she would not suffer Dawn of the golden throne to leave Okeanos, [245] nor to yoke 246 Lampos and Phaethōn, who are the horses that pull Ēōs to break the day upon humankind.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 23.231 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 23.231 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 23.231 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 23.231 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 23 focus

New Alexandria Commentaries

Gregory Nagy

After the killing of the suitors, Eurykleia rushes to the bedroom of Penelope, waking her up. The queen has slept through it all—the first good night’s sleep she has had in the longest time, she admits. Eurykleia goes on to tell Penelope that Odysseus has really returned and has killed the suitors, but the patient wife will need one more test, to make it perfectly certain that she has recovered her husband. The sēma ‘sign’ of the royal bed that once was theirs and will be theirs once again can now seal their perfect mutual understanding.

draft js image errorEurykleia waking Penelope (1773). Print by Thomas Burke, after a painting by Angelika Kauffmann. Image via the British Museum.

source

The ultimate sēma ‘sign, signal’ for the mutual recognition of Penelope and Odysseus is the immovable bed that the king had made to be shared with the queen. Within the space of the lines demarcated by O.23.107–230, the noun sēma recurs at O.23.110, O.23.188, O.23.202, O.23.206, O.23.225. The mutual recognition is confirmed by the verb anagignōskein ‘recognize’, when Penelope at long last overtly recognizes Odysseus at O.23.206.

source