Homer Iliad 24.200

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The hoary monarch thus: her piercing cries
Sad Hecuba renews, and then replies:
‘Ah! whither wanders thy distemper'd mind;
‘And where the prudence now that awed mankind,
‘Through Phrygia once, and foreign regions known?
245
‘Now all confus'd, distracted, overthrown!
‘Singly to pass through hosts of foes! to face
‘(Oh heart of steel!) the murderer of thy race!
‘To view that deathful eye, and wander o'er
‘Those hands, yet red with Hector's noble gore!
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‘Alas! my lord! he knows not how to spare,
‘And what his mercy, thy slain sons declare;
‘So brave! so many fall'n! to calm his rage,
‘Vain were thy dignity, and vain thy age.
‘No—pent in this sad palace, let us give
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‘To grief the wretched days we have to live.
‘Still, still, for Hector let our sorrows flow,
‘Born to his own, and to his parents' woe!
‘Doom'd from the hour his luckless life begun,
‘To dogs, to vultures, and to Peleus' son!
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‘Oh! in his dearest blood might I allay
‘My rage, and these barbarities repay!
‘For ah! could Hector merit thus? whose breath
‘Expir'd not meanly, in inactive death:
‘He pour'd his latest blood in manly fight,
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‘And fell a hero in his country's right.’

Iliad. Homer. London. 1863.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) (English) (English (Alexander Pope, 1720, ed. Watson, 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 24.200 focus
Translations (7)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 24.200 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 24.217 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 24.200 focus
His wife cried aloud as she heard him, and said, “Alas, what has become of that judgment for which you have been ever famous both among strangers and your own people? How can you venture alone to the ships of the Achaeans, and look into the face of him who has slain so many of your [205] brave sons? You must have iron courage, for if the cruel savage sees you and lays hold on you, he will know neither respect nor pity. Let us then weep Hector from afar here in our own house, [210] for when I gave him birth the threads of overruling fate were spun for him that dogs should eat his flesh far from his parents, in the house of that terrible man on whose liver I would fain fasten and devour it. Thus would I avenge my son, who showed no cowardice when Achilles slew him, and thought neither of Right nor of avoiding battle [215] as he stood in defense of Trojan men and Trojan women.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 24.200 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 24.200 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 24.200 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 24.200 focus

New Alexandria Commentaries

Douglas Frame

analysis of the significance of nóos and néomai in the speech of Diomedes

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brief analysis of the importance of ‘returning’ in this scene

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cited as evidence for the well recognized notion that Priam’s ransom of Hector in Iliad XXIV is represented as a journey to the underworld and a consequent “return to life”

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reference to same lines in similar thematic connection in Il. XXIV.328

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reference to location and time (sunset) of Herme’s meeting with Priam, the tomb if Ilus. Indication of Priam’s ransom of Hector as a to the underworld and consequent ‘return to life’ [MRBTP: 'ff']

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quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes

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quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes

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quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes

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quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes

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Gregory Nagy

The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.

draft js image errorMourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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In speaking to Priam, the god Hermes disguises himself as a therapōn of Achilles. It is as if he were the spirit of the dead Patroklos, the other self of Achilles himself.

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See again the comment on I.24.393.

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Leonard Muellner

postulation of the preservation, only in connection with Hector, of a phrase which might have once been hieratic (posis eukhomai/Vedic pátir … ohase), in the context of the analysis of the development of Greek posis compared with Vedic pati-

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in a list of passages with eukhesthai + infinitive (aorist)

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analysis of the attestations of eukhesthai + aorist infinitive (and the series to which this verse belongs)

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analysis of the traditionality of the collocation of eukhesthai and spendein

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analysis of the ambiguity in the meaning of eukhesthai in this verse (‘make a wish,’ ‘pledge, promise,’ ‘boast’), discussion of Benveniste’s analysis of the collocations of spendein and eukhesthai

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analysis of the versatility of poetic technique to report prayers (invocation, grant of favor, request of favor)

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analysis of the section I of the classification of the attestations of eukhesthai + dative (consistent inflection but apparently irregular metrical position of eukhesthai)

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in a list of examples of eukhesthai + dative (sacral)

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analysis of the development of the meaning of Latin spendō, in the context of analyzing the development of uoueō/eukhesthai

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example of a transformation of the themes in a prayer, in the context of the analysis of composition by theme in prayers, which can be amplified or minimized according to circumstances

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comment on eukhomenos and epos being traditionally and syntactically bound together, despite the separate existence of epos ēuda# as in this verse

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example of a transformation of the themes in a prayer, in the context of the analysis of composition by theme in prayers, which can be amplified or minimized according to circumstances

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comment on overlap between Hermes and Athena (here, Athena’s wearing Hermes’ sandals), in the context of analyzing her reminding of Hermes in O.13.221ff.

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comparison of Greek formulas for asking a person’s identity with Avestan and Indic parallels, as well as genos eukhesthai einai formulas

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comparison of Greek formulas for asking a person’s identity with Avestan and Indic parallels, as well as genos eukhesthai einai formulas

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