Iliad. Homer. London. 1863.
Sponsored by Perseus Project, Tufts University.
Iliad. Homer. London. 1863.
Sponsored by Perseus Project, Tufts University.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) (English) (English (Alexander Pope, 1720, ed. Watson, 1857))
Provisional text from uncorrected OCR; expect errors.
analysis of the significance of nóos and néomai in the speech of Diomedes
brief analysis of the importance of ‘returning’ in this scene
cited as evidence for the well recognized notion that Priam’s ransom of Hector in Iliad XXIV is represented as a journey to the underworld and a consequent “return to life”
reference to same lines in similar thematic connection in Il. XXIV.328
reference to location and time (sunset) of Herme’s meeting with Priam, the tomb if Ilus. Indication of Priam’s ransom of Hector as a to the underworld and consequent ‘return to life’ [MRBTP: 'ff']
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.
Mourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.
Image via Wikimedia Commons.
In speaking to Priam, the god Hermes disguises himself as a therapōn of Achilles. It is as if he were the spirit of the dead Patroklos, the other self of Achilles himself.
See again the comment on I.24.393.
postulation of the preservation, only in connection with Hector, of a phrase which might have once been hieratic (posis eukhomai/Vedic pátir … ohase), in the context of the analysis of the development of Greek posis compared with Vedic pati-
in a list of passages with eukhesthai + infinitive (aorist)
analysis of the attestations of eukhesthai + aorist infinitive (and the series to which this verse belongs)
analysis of the traditionality of the collocation of eukhesthai and spendein
analysis of the ambiguity in the meaning of eukhesthai in this verse (‘make a wish,’ ‘pledge, promise,’ ‘boast’), discussion of Benveniste’s analysis of the collocations of spendein and eukhesthai
analysis of the versatility of poetic technique to report prayers (invocation, grant of favor, request of favor)
analysis of the section I of the classification of the attestations of eukhesthai + dative (consistent inflection but apparently irregular metrical position of eukhesthai)
in a list of examples of eukhesthai + dative (sacral)
analysis of the development of the meaning of Latin spendō, in the context of analyzing the development of uoueō/eukhesthai
example of a transformation of the themes in a prayer, in the context of the analysis of composition by theme in prayers, which can be amplified or minimized according to circumstances
comment on eukhomenos and epos being traditionally and syntactically bound together, despite the separate existence of epos ēuda# as in this verse
example of a transformation of the themes in a prayer, in the context of the analysis of composition by theme in prayers, which can be amplified or minimized according to circumstances
comment on overlap between Hermes and Athena (here, Athena’s wearing Hermes’ sandals), in the context of analyzing her reminding of Hermes in O.13.221ff.
comparison of Greek formulas for asking a person’s identity with Avestan and Indic parallels, as well as genos eukhesthai einai formulas
comparison of Greek formulas for asking a person’s identity with Avestan and Indic parallels, as well as genos eukhesthai einai formulas