Homer Iliad 24.200

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Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 24.200 focus
Translations (7)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 24.200 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 24.217 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 24.200 focus
His wife cried aloud as she heard him, and said, “Alas, what has become of that judgment for which you have been ever famous both among strangers and your own people? How can you venture alone to the ships of the Achaeans, and look into the face of him who has slain so many of your [205] brave sons? You must have iron courage, for if the cruel savage sees you and lays hold on you, he will know neither respect nor pity. Let us then weep Hector from afar here in our own house, [210] for when I gave him birth the threads of overruling fate were spun for him that dogs should eat his flesh far from his parents, in the house of that terrible man on whose liver I would fain fasten and devour it. Thus would I avenge my son, who showed no cowardice when Achilles slew him, and thought neither of Right nor of avoiding battle [215] as he stood in defense of Trojan men and Trojan women.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 24.200 focus
The hoary monarch thus: her piercing cries
Sad Hecuba renews, and then replies:
‘Ah! whither wanders thy distemper'd mind;
‘And where the prudence now that awed mankind,
‘Through Phrygia once, and foreign regions known?
245
‘Now all confus'd, distracted, overthrown!
‘Singly to pass through hosts of foes! to face
‘(Oh heart of steel!) the murderer of thy race!
‘To view that deathful eye, and wander o'er
‘Those hands, yet red with Hector's noble gore!
250
‘Alas! my lord! he knows not how to spare,
‘And what his mercy, thy slain sons declare;
‘So brave! so many fall'n! to calm his rage,
‘Vain were thy dignity, and vain thy age.
‘No—pent in this sad palace, let us give
255
‘To grief the wretched days we have to live.
‘Still, still, for Hector let our sorrows flow,
‘Born to his own, and to his parents' woe!
‘Doom'd from the hour his luckless life begun,
‘To dogs, to vultures, and to Peleus' son!
260
‘Oh! in his dearest blood might I allay
‘My rage, and these barbarities repay!
‘For ah! could Hector merit thus? whose breath
‘Expir'd not meanly, in inactive death:
‘He pour'd his latest blood in manly fight,
265
‘And fell a hero in his country's right.’
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 24.200 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 24.200 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 24.200 focus

New Alexandria Commentaries

Gregory Nagy

The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.

draft js image errorMourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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Leonard Muellner

postulation of the preservation, only in connection with Hector, of a phrase which might have once been hieratic (posis eukhomai/Vedic pátir … ohase), in the context of the analysis of the development of Greek posis compared with Vedic pati-

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