Homer Iliad 13.81

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Full of the god that urg'd their burning breast,
115
The heroes thus their mutual warmth express'd.
Neptune meanwhile the routed Greeks inspir'd;
Who, breathless, pale, with length of labours tir'd,
Pant in the ships; while Troy to conquest calls,
And swarms victorious o'er their yielding walls:
120
Trembling before th' impending storm they lie,
While tears of rage stand burning in their eye.
Greece sunk they thought, and this their fatal hour;
But breathe new courage as they feel the power.
Teucer and Leitus first his words excite;
125
Then stern Peneleus rises to the fight;
Thoas, Deïpyrus, in arms renown'd,
And Merion next, th' impulsive fury found;
Last Nestor's son the same bold ardour takes,
While thus the god the martial fire awakes:
130

Iliad. Homer. London. 1863.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) (English) (English (Alexander Pope, 1720, ed. Watson, 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 13.81 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 13.82 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 13.76 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 13.81 focus
Thus did they converse, exulting in the hunger after battle with which the god had filled them. Meanwhile the earth-encircler roused the Achaeans, who were resting in the rear by the ships [85] overcome at once by hard fighting and by grief [ akhos] at seeing that the Trojans had got over the wall in force. Tears began falling from their eyes as they beheld them, for they made sure that they should not escape destruction; but the lord of the earthquake [90] passed lightly about among them and urged their battalions to the front.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 13.81 focus
Thus they conferred, rejoicing as they felt
That ardor for the battle which the god
Had breathed into their hearts. Meantime he roused
The Achaians at the rear, who in their ships
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Sought respite, and whose limbs were faint with toil,
And their hearts sad to see the Trojan host
With tumult pouring o'er the lofty wall.
As they beheld, the tears came gushing forth
From underneath their lids; they little hoped
105
For rescue from destruction; but when came
The power that shakes the shores, he woke anew
The spirit of their valiant phalanxes.
Teucer he first addressed, and Leïtus,
The hero Peneleus and Thoas next,
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Deipyrus, Meriones expert
In battle, and Antilochus his peer,
And thus exhorted them with winged words:-
"Shame on you, Argive youths! I put my trust
In your tried valor to defend our fleet;
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But if ye fear to face the perilous fight,
The day has risen which shall behold us fall
Vanquished before the Trojans. O ye gods!
These eyes have seen a marvel, a strange sight
And terrible, which I had never thought
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Could be, the Trojans close upon our ships,
They who, erewhile, were like the timid deer
That wander in the wood an easy prey
To jackals, pards, and wolves, - weak things, unapt
For combat, fleeing, but without an aim.
125
Such were the Trojans, who till now ne'er dared
Withstand the might and prowess of the Greeks
Even for an hour. But now, afar from Troy
They give us battle at the hollow ships,
All through our general's fault, and through the sloth
130
Of the Greek warriors, who, displeased with him,
Fight not for their swift galleys, but are slain
Beside them. Yet although our sovereign chief,
Atrides Agamemnon, may have done
Foul wrong, dishonoring the swift-footed son
135
Of Peleus, still ye cannot without blame
Decline the combat. Let us then repair
The mischief done; the hearts of valiant men
Are soon appeased. And not without the loss
Of honor can your fiery courage sleep,
140
Since ye are known the bravest of the host.
I would not chide the weak, unwarlike man
For shrinking from the combat; but for you, -
I look on you with anger in my heart.
Weaklings! ye soon will bring upon yourselves
145
Some sorer evil if ye loiter thus.
Let each of you bethink him of the shame
And infamy impending. Terrible
The struggle is before us. Hector storms
The ships, loud-shouting Hector; he has burst
150
The gate and broken the protecting bar."
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 13.81 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 13.81 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.81 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 13 focus

New Alexandria Commentaries

Douglas Frame

analysis of metheinai and contrasting it with loose-wittedness, and its application to Menelaus

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Gregory Nagy

The momentum of the Trojan onslaught led by Hector intensifies here, and the prospects of the Achaeans look grim, almost hopeless. Hector is so successful that he feels tempted, toward the end of Rhapsody 13, to equate himself with immortal gods. Meanwhile, the intensity of the narrative keeps pace, and the poetic virtuosity approaches the sublime.

draft js image errorHector and Polydamas. After a drawing by John Flaxman. Image via Wikimedia Commons.

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note that of 150 mentions of Aristarchean diórtōsis that Laum counted (Laum 1928.62) only this one reference refers to an accentual variation [MRBTP: A]

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reference to Aristarchus’ apparent belief that Homer was an Athenian who lived around 1000 BC. See Proclus F a 58-62 Severyns, cf. Life of Homer p. 244.13, p. 247.8 Allen [MRBTP: A]

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In this context, as also at I.13.201, the referents for the dual Aiante are Ajax the greater and Teukros, his bastard brother.

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See the note on I.13.197.

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Here the reference of Aiante shifts away from referring to the pair of Ajax the greater and Teukros. That is because the spotlight on the action shifts from Teukros to Ajax the lesser, so that the lesser Ajax can now become, retroactively, the implied second member of the dual Aiante.

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See anchor comment at I.05.077–078.

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The fear is expressed that the invading Achaean warriors could die nōnumnoi ‘nameless’ at Troy. On the connotations, which can be seen by way of comparing the Hesiodic Works and Days 146–155, see the comment on I.12.079.

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Leonard Muellner

example of a common formula with a different half-line following it nine other times (the poetics of the battle-books as promoting the preservation of archaisms and stimulating the innovatory usage of a half of a formula outside its conventional context)

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Richard Martin

The exchange between the disguised Poseidon and Idomeneus illustrates the "recalled-speech" strategy in flyting. To the god's challenge, "Where are now the threats gone, with which the sons of the Achaeans threatened Trojans?" (13.219-20), Idomeneus replies, "No man is now responsible, as much as I know. For we all know how to war" (13.222-23). The first speech fits the pattern already seen in Achilles' address to the Myrmidons (16.200-201), and the reply attempts to answer the implied contrast between former boasts and present immobility, as if Idomeneus knows the full pattern of such flyting speeches even though it is not explicit here. This comparison shows that Agamemnon's speech in Book 19 answering a past rebuke (rather than a rebuke in the present that refers to the past) is a variation on the conventional flyting pattern—and that the neikos words still rankle in Agamemnon's mind (Martin 1993:73-74).

For the broader analysis of the flyting genre and the recalled-speech strategy, see the comment on Iliad 4.336-421.

References

Martin, R. P. 1993. The Language of Heroes: Speech and Performance in the Iliad. Ithaca.

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