Homer Iliad 13.59

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Then with his sceptre that the deep controls,
He touch'd the chiefs, and steel'd their manly souls:
Strength, not their own, the touch divine imparts,
Prompts their light limbs, and swells their daring hearts.
90
Then, as a falcon from the rocky height,
Her quarry seen, impetuous at the sight,
Forth-springing instant, darts herself from high,
Shoots on the wing, and skims along the sky:
Such, and so swift, the power of ocean flew;
95
The wide horizon shut him from their view.

Iliad. Homer. London. 1863.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) (English) (English (Alexander Pope, 1720, ed. Watson, 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 13.59 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 13.59 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 13.76 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 13.59 focus
As he spoke the earth-encircling lord of the earthquake [60] struck both of them with his scepter and filled their hearts with daring. He made their legs light and active, as also their hands and their feet. Then, as the soaring falcon poises on the wing high above some sheer rock, and presently swoops down to chase some bird over the plain, [65] even so did Poseidon lord of the earthquake wing his flight into the air and leave them. Of the two, swift Ajax, son of Oïleus, was the first to know who it was that had been speaking with them, and said to Ajax, son of Telamon, “Ajax, this is one of the gods that dwell on Olympus, who in the likeness of the prophet is bidding us fight hard by our ships. [70] It was not Kalkhas the seer and diviner of omens; I knew him at once by his feet and knees as he turned away, for the gods are soon recognized. Moreover I feel the lust of battle burn more fiercely within me, [75] while my hands and my feet under me are more eager for the fray.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 13.59 focus
Thus earth-surrounding Neptune said, and touched
Each hero with his sceptre, filled their hearts
With valor, gave new lightness to their limbs
And feet and hands, and then, as when a hawk
Shoots swiftly from some lofty precipice
75
And chases o'er the plain another bird,
So swiftly Neptune, shaker of the shores,
Darted from them away. Oïleus' son
Perceived the immortal presence first, and thus
At once to Telamonian Ajax spake:-
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"Some god, O Ajax, from the Olympian hill,
Wearing the augur's form, hath bid us fight
Beside the ships; nor can it be the seer
Calchas, for well I marked his feet and legs
As he departed; easily by these
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The gods are known. I feel a spirit roused
In my own bosom eager to engage
In the fierce strife; my very feet below,
And hands above, take part in the desire."
And thus the son of Telamon replied: -
90
"So also these strong hands that grasp the spear
Burn eagerly to wield it, and my heart
Is full of courage. I am hurried on
By both my feet, and vehemently long
To try alone the combat with this chief
95
Of boundless valor, Hector, Priam's son.”
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 13.59 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 13.59 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.59 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 13 focus

New Alexandria Commentaries

Douglas Frame

example of laos as referring to one’s own in contexts where there is a contrast between “leader(s)” and those who “follow”

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analysis of metheinai and contrasting it with loose-wittedness, and its application to Menelaus

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Gregory Nagy

The momentum of the Trojan onslaught led by Hector intensifies here, and the prospects of the Achaeans look grim, almost hopeless. Hector is so successful that he feels tempted, toward the end of Rhapsody 13, to equate himself with immortal gods. Meanwhile, the intensity of the narrative keeps pace, and the poetic virtuosity approaches the sublime.

draft js image errorHector and Polydamas. After a drawing by John Flaxman. Image via Wikimedia Commons.

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analysis of Janko’s argument that the manuscript reading δ’ἑκάθεν at Il. XIII.107 is “superior” to OCT edition, which replaces δ’ἑκάθεν with δὲ ἑκάς on the basis of its older form and appearance at Il. V.791 (Janko 1990.332-334)

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In the words of the god Poseidon, it is conceded that Agamemnon is aitios ‘responsible’, I.13.111, for having ‘dishonored’ Achilles, I.13.113, as expressed by the verb a-tīmân.

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note that of 150 mentions of Aristarchean diórtōsis that Laum counted (Laum 1928.62) only this one reference refers to an accentual variation [MRBTP: A]

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reference to Aristarchus’ apparent belief that Homer was an Athenian who lived around 1000 BC. See Proclus F a 58-62 Severyns, cf. Life of Homer p. 244.13, p. 247.8 Allen [MRBTP: A]

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In this context, as also at I.13.201, the referents for the dual Aiante are Ajax the greater and Teukros, his bastard brother.

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See the note on I.13.197.

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Here the reference of Aiante shifts away from referring to the pair of Ajax the greater and Teukros. That is because the spotlight on the action shifts from Teukros to Ajax the lesser, so that the lesser Ajax can now become, retroactively, the implied second member of the dual Aiante.

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See anchor comment at I.05.077–078.

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The fear is expressed that the invading Achaean warriors could die nōnumnoi ‘nameless’ at Troy. On the connotations, which can be seen by way of comparing the Hesiodic Works and Days 146–155, see the comment on I.12.079.

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Leonard Muellner

example of a common formula with a different half-line following it nine other times (the poetics of the battle-books as promoting the preservation of archaisms and stimulating the innovatory usage of a half of a formula outside its conventional context)

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Richard Martin

The exchange between the disguised Poseidon and Idomeneus illustrates the "recalled-speech" strategy in flyting. To the god's challenge, "Where are now the threats gone, with which the sons of the Achaeans threatened Trojans?" (13.219-20), Idomeneus replies, "No man is now responsible, as much as I know. For we all know how to war" (13.222-23). The first speech fits the pattern already seen in Achilles' address to the Myrmidons (16.200-201), and the reply attempts to answer the implied contrast between former boasts and present immobility, as if Idomeneus knows the full pattern of such flyting speeches even though it is not explicit here. This comparison shows that Agamemnon's speech in Book 19 answering a past rebuke (rather than a rebuke in the present that refers to the past) is a variation on the conventional flyting pattern—and that the neikos words still rankle in Agamemnon's mind (Martin 1993:73-74).

For the broader analysis of the flyting genre and the recalled-speech strategy, see the comment on Iliad 4.336-421.

References

Martin, R. P. 1993. The Language of Heroes: Speech and Performance in the Iliad. Ithaca.

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