Homer Iliad 6.37

ed. David B. Monro, ed. Thomas W. Allen

View: By Card

Iliad. Homer. ed. David B. Monro, ed. Thomas W. Allen. Oxford. 1908-1920.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ἰλιάς (Greek) (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.)

Translations (9)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 6.37 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 6.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 6.37 focus
Then Menelaos of the loud war-cry took Adrastos alive, for his horses ran into a tamarisk bush, as they were flying wildly over the plain, [40] and broke the pole from the car; they went on towards the city along with the others in full flight, but Adrastos rolled out, and fell in the dust flat on his face by the wheel of his chariot; Menelaos came up to him spear in hand, [45] but Adrastos caught him by the knees begging for his life. “Take me alive,” he cried, “son of Atreus, and you shall have a full ransom for me: my father is rich and has much treasure of gold, bronze, and wrought iron laid by in his house. From this store he will give you a large ransom [50] should he hear of my being alive and at the ships of the Achaeans.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 6.37 focus
Then valiant Menelaus took alive
Adrastus, whose two coursers, as they scoured
The plain in terror, struck against a branch
Of tamarisk, and, there entangled, snapped
50
The chariot pole, and, breaking from it, fled
Whither were others fleeing. From the car
Adrastus to the dust beside the wheel
Fell, on his face. There, lifting his huge spear,
Atrides Menelaus o'er him stood.
55
Adrastus clasped the warrior's knees and said : -
"O son of Atreus, take me prisoner,
And thou shalt have large ransom. In the house
Of my rich father ample treasures lie,
Brass, gold, and tempered steel, - and he shall send
60
Gifts without end when he shall hear that I
Am spared alive and in the Grecian fleet."
He spake, and moved the conqueror, who now
Was minded to give charge that one among
His comrades to the Grecian fleet should lead
65
The captive. Agamemnon came in haste,
And, lifting up his voice, rebuked him thus: —
"O Menelaus, soft of heart, why thus
Art thou concerned for men like these? In sooth,
Great are the benefits thy household owes
70
The Trojans. Nay, let none of them escape
The doom of swift destruction by our hands.
The very babe within his mother's womb,
Even that must die, and all of Ilium born
Perish unpitied, utterly cut off."
75
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 6.37 focus
Unbless'd Adrastus next at mercy lies
45
Beneath the Spartan spear, a living prize.
Scar'd with the din and tumult of the fight,
His headlong steeds, precipitate in flight,
Rush'd on a tamarisk's strong trunk, and broke
The shatter'd chariot from the crooked yoke:
50
Wide o'er the field, resistless as the wind,
For Troy they fly, and leave their lord behind.
Prone on his face he sinks beside the wheel:
Atrides 1 o'er him shakes his vengeful steel;
The fallen chief in suppliant posture press'd
55
The victor's knees, and thus his prayer address'd:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 6.37 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 6.37 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 6.37 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 6 focus

New Alexandria Commentaries

Gregory Nagy

A high point here in Rhapsody 6 is a tearful scene of farewell for Andromache and Hector. The loving wife will never again see her husband alive. The scene is justly admired for its artistic portrayal of this tragically doomed couple, but the verbal artistry extends even further: also to be most admired here is the remarkable precision of poetic language in representing lament as it was actually performed in ancient Greek song culture.

draft js image errorApulian red-figure column-crater (ca. 370–360 BCE) depicting an intimate family scene: Hector removes his helmet as he says his final farewell to his wife Andromache and to their child Astyanax. Public domain image by Jastrow via Wikimieda Commons

source

In the immediate context, at I.06.053, only the surface meaning of therapōn as ‘attendant’ is evident.

source

In contexts where the plural therapontes in combination with Arēos ‘of Ares’ is applied to the Achaeans=Danaans=Argives (at I.06.067, to the Danaans) as a grouping of warriors, the deeper meaning of therapōn as ‘ritual substitute’ is more evident than in other contexts.

source
Leonard Muellner

apoina as object of dekhesthai, in the context of analyzing I.18.499-500 (litigation scene on the Shield), and Corlu, Benveniste, and Chantraine

source

comment on eukhomenos and epos being traditionally and syntactically bound together, despite the separate existence of epos ēuda# as in this verse

source