Homer Iliad 6.1

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 6.1 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 6.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 6.1 focus
The fight between Trojans and Achaeans was now left to rage as it would, and the tide of war surged here and there over the plain as they aimed their bronze-shod spears at one another between the streams of Simoeis and Xanthos.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 6.1 focus
NOW from that stubborn conflict of the Greeks
1
And Trojans had the gods withdrawn. The fight
Of men encountering men with brazen spears
Still raged from place to place upon the plain
Between the Xanthus and the Simoïs.
5
And first of all did Ajax Telamon,
The bulwark of the Achaians, break the ranks
Of Troy and raise the hopes of those who fought
Beside him; for he smote the bravest man
Of all the Thracian warriors, - Acamas,
10
Son of Eussorus, strong and large of limb.
His spear-head, through the plumed helmet's cone
Entering the forehead of the Thracian, pierced
The bone, and darkness gathered o'er his eyes.
The valiant Diomed slew Axylus,
15
The son of Teuthras. To the war he came
From nobly-built Arisba; great his wealth,
And greatly was he loved, for courteously
He welcomed to his house beside the way
All comers. None of these could interpose
20
Between him and his death, for Diomed
Slew him and his attendant charioteer,
Calysius; both went down below the earth.
And then Euryalus struck Dresus down,
And smote Opheltius, and went on to slay
25
Æsepus and his brother Pedasus; -
A river-nymph, Abarbarea, bore
Both children to Bucolion the renowned.
Bucolion was the eldest of the sons
Of great Laomedon. His mother reared
30
The boy in secret. While he fed his sheep,
He with the river-nymph was joined in love
And marriage, and she bore him twins; and these,
Brave and of shapely limb, Mecisteus' son
Struck down, and from their shoulders tore the mail.
35
The warlike Polypætes overthrew
Astyalus; Ulysses smote to earth
Pidytes the Percosian with the spear,
And Teucer Aretaon, nobly born.
The glittering javelin of Antilochus,
40
The son of Nestor, laid Ablerus low;
And Agamemnon, king of men, struck down
Elatus, who on lofty Pedasus
Dwelt, by the smoothly flowing Satnio's stream.
Brave Leïtus slew Phylacus in flight,
45
And by Eurypylus Melanthius fell.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 6.1 focus
Now heaven forsakes the fight; th' immortals yield
1
To human force and human skill the field:
Dark showers of javelins fly from foes to foes;
Now here, now there, the tide of combat flows;
While Troy's fam'd streams, 1 that bound the deathful plain,
5
On either side run purple to the main.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 6.1 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 6.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 6.1 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 6 focus

New Alexandria Commentaries

Gregory Nagy

A high point here in Rhapsody 6 is a tearful scene of farewell for Andromache and Hector. The loving wife will never again see her husband alive. The scene is justly admired for its artistic portrayal of this tragically doomed couple, but the verbal artistry extends even further: also to be most admired here is the remarkable precision of poetic language in representing lament as it was actually performed in ancient Greek song culture.

draft js image errorApulian red-figure column-crater (ca. 370–360 BCE) depicting an intimate family scene: Hector removes his helmet as he says his final farewell to his wife Andromache and to their child Astyanax. Public domain image by Jastrow via Wikimieda Commons

source

The hero Kalēsios is identified here at I.06.018 as the therapōn ‘attendant’ of the hero Axulos, who is named at I.06.12–13. In the immediate context, at I.06.018, only the surface meaning of therapōn as ‘attendant’ is evident. But Kalēsios is not only the therapōn of Axulos: he is also described at I.06.019 as the hup-hēni-okhos ‘chariot driver’ of Axulos. This description of Kalēsios not only as a therapōn but also as a hup-hēni-okhos ‘chariot driver’ points to the deeper meaning, ‘ritual substitute’, for therapōn.

source

In the immediate context, at I.06.053, only the surface meaning of therapōn as ‘attendant’ is evident.

source

In contexts where the plural therapontes in combination with Arēos ‘of Ares’ is applied to the Achaeans=Danaans=Argives (at I.06.067, to the Danaans) as a grouping of warriors, the deeper meaning of therapōn as ‘ritual substitute’ is more evident than in other contexts.

source
Leonard Muellner

apoina as object of dekhesthai, in the context of analyzing I.18.499-500 (litigation scene on the Shield), and Corlu, Benveniste, and Chantraine

source

comment on eukhomenos and epos being traditionally and syntactically bound together, despite the separate existence of epos ēuda# as in this verse

source