Homer Iliad 13.1

ed. David B. Monro, ed. Thomas W. Allen

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Iliad. Homer. ed. David B. Monro, ed. Thomas W. Allen. Oxford. 1908-1920.

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Current edition Perseus

Ἰλιάς (Greek) (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.)

Translations (9)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 13.1 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 13.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 13.1 focus
Now when Zeus had thus brought Hector and the Trojans to the ships, he left them to their never-ending toil [ ponos], and turned his keen eyes away, looking elsewhere towards the horse-breeders of Thrace, [5] the Mysians, fighters at close quarters, the noble Hippemolgoi, who live on milk, and the Abians, most just of humankind. He no longer turned so much as a glance towards Troy, for he did not think that any of the immortals would go and help either Trojans or Danaans.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 13.1 focus
WHEN Jove had brought the Trojans and their chief,
1
Hector, beside the ships, he left them there
To toil and struggle and endure, while he
Turned his resplendent eyes upon the land
Of Thracian horsemen, and the Mysians, skilled
5
To combat hand to hand, and the famed tribe
Of long-lived Hippomulgi, reared on milk,
And the most just of men. On Troy no more
He turned those glorious eyes, for now he deemed
That none of all the gods would seek to aid
10
Either the Greeks or Trojans in the strife.
The monarch Neptune kept no idle watch;
For he in Thracian Samos, dark with woods,
Aloft upon the highest summit sat,
O'erlooking thence the tumult of the war;
15
For thence could he behold the Idean mount,
And Priam's city, and the Grecian fleet.
There, coming from the ocean-deeps, he sat,
And pitied the Greek warriors put to rout
Before the Trojans, and was wroth with Jove.
20
Soon he descended from those rugged steeps,
And trod the earth with rapid strides; the hills
And forests quaked beneath the immortal feet
Of Neptune as he walked. Three strides he took,
And at the fourth reached Ægæ, where he stopped,
25
And where his sumptuous palace-halls were built,
Deep down in ocean, golden, glittering, proof
Against decay of time. These when he reached,
He yoked his swift and brazen-footed steeds,
With manes of flowing gold, to draw his car,
30
And put on golden mail, and took his scourge,
Wrought of fine gold, and climbed the chariot-seat,
And rode upon the waves. The whales came forth
From their deep haunts, and frolicked round his way:
They knew their king. The waves rejoicing smoothed
35
A path, and rapidly the coursers flew;
Nor was the brazen axle wet below.
And thus they brought him to the Grecian fleet.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 13.1 focus
WHEN now the Thunderer on the sea-beat coast
1
Had fix'd great Hector and his conquering host,
He left them to the fates, in bloody fray
To toil and struggle through the well-fought day.
Then turn'd to Thracia from the field of fight 1
5
Those eyes that shed insufferable light,
To where the Mysians prove their martial force,
And hardy Thracians tame the savage horse;
And where the far-fam'd Hippemolgian 2 strays,
Renown'd for justice and for length of days.
10
Thrice happy race! that, innocent of blood,
From milk innoxious seek their simple food:
Jove sees delighted; and avoids the scene
Of guilty Troy, of arms, and dying men:
No aid, he deems, to either host is given,
15
While his high law suspends the powers of heaven.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 13.1 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 13.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.1 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 13 focus

New Alexandria Commentaries

Douglas Frame

contrast between the end of Book 12/segment of Books 9-12 and the beginning of Book 13/segment of books 13-16, where the suspense is diminished by Zeus’ becoming distracted

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Gregory Nagy

The momentum of the Trojan onslaught led by Hector intensifies here, and the prospects of the Achaeans look grim, almost hopeless. Hector is so successful that he feels tempted, toward the end of Rhapsody 13, to equate himself with immortal gods. Meanwhile, the intensity of the narrative keeps pace, and the poetic virtuosity approaches the sublime.

draft js image errorHector and Polydamas. After a drawing by John Flaxman. Image via Wikimedia Commons.

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Poseidon’s grand entrance here, as he drives his chariot team to the scene of battle, is comparable to other narratives about ceremonial arrivals by divinities. See HC 1§145, with a line drawing of an image painted on an Attic red-figure pyxis lid: unattributed, dated at around 425–375 BCE, Copenhagen, National Museum, 731. The image shows three goddesses—Hērā, Athena, and Aphrodite—arriving at the Judgment of Paris in their chariots drawn by customized chariot teams. Hērā is driving two horses; Athena, two serpents; and Aphrodite, two boyish Erōtes. Figure 10a shows the whole image, while Figure 10b shows a detail from that image.

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