Homer Iliad 5.274

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 5.280 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 5.280 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 5.280 focus
He poised his spear as he spoke and hurled it from him. It struck the shield of the son of Tydeus; the bronze point pierced it and passed on till it reached the breastplate. Then the shining son of Lykaon shouted out and said, “You are hit clean through the belly; [285] you will not stand out for long, and the glory of the fight is mine.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 5.280 focus
He spake, and cast his spear. Minerva kept
The weapon faithful to its aim. It struck
The nose, and near the eye; then passing on
Betwixt the teeth, the unrelenting edge
355
Cleft at its root the tongue; the point came out
Beneath the chin. The warrior from his car
Fell headlong; his bright armor, fairly wrought,
Clashed round him as he fell; his fiery steeds
Started aside with fright; his breath and strength
360
Were gone at once. Æneas, with his shield
And his long spear, leaped down to guard the slain,
That the Achaians might not drag him thence.
There, lion-like, confiding in his strength,
He stalked around the corpse, and over it
365
Held his round shield and lance, prepared to slay
Whoever came, and shouting terribly.
Tydides raised a stone, - a mighty weight,
Such as no two men living now could lift;
But he, alone, could swing it round with ease.
370
With this he smote Æneas on the hip,
Where the thigh joins its socket. By the blow
He brake the socket and the tendons twain,
And tore the skin with the rough, jagged stone.
The hero fell upon his knees, but stayed
375
His fall with his strong palm upon the ground;
And o'er his eyes a shadow came like night.
Then had the king of men, Æneas, died,
But for Jove's daughter, Venus, who perceived
His danger instantly, - his mother, she
380
Who bore him to Anchises when he kept
His beeves, a herdsman. Round her son she cast
Her white arms, spreading over him in folds
Her shining robe, to be a fence against
The weapons of the foe, lest some Greek knight
385
Should at his bosom aim the steel to take
His life. And thus the goddess bore away
From that fierce conflict her beloved son.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 5.280 focus
He said, then shook the ponderous lance, and flung;
On his broad shield the sounding weapon rung,
Pierc'd the tough orb, and in his cuirass hung.
'He bleeds! the pride of Greece!' (the boaster cries,)
345
'Our triumph now the mighty warrior lies!'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 5.280 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 5.280 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 5.280 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 5 focus

New Alexandria Commentaries

Douglas Frame

analysis of Enuō in the Iliad in the context of discussing the Mykenaean war goddess found in “Tsountas’ House”

source
Gregory Nagy

The momentum of the war is spirited, and the fighting mood of the warriors verges on overreaching. An outstanding example is Diomedes, who already owns a glorious past as a conquering hero in the epic tradition known as the Sons of the Seven against Thebes or Epigonoi. Now in the epic present of the Iliad he has a chance to outdo himself, performing deeds so glorious that they would outshine perhaps even the deeds of Achilles, who is now out of the picture. The successes of Diomedes reach the point where he is capable of feats that are superhuman, as when he lifts a rock that even two humans today could not budge—or as when he wounds the god of war himself, Ares, and then, shortly thereafter, the goddess of love and sexuality, Aphrodite. But such momentum is not to last, and the antagonism of Diomedes toward divinities will have its consequences.

draft js image error“Aeneas and Diomedes.” Wenceslaus Hollar (Bohemian, 1607–1677). Image via Wikimedia Commons.

source

At the moment of his death here, the hero’s menos ‘mental power’ is released from his body, and this moment of release is expressed metaphorically by way of the verb luein ‘release’. Just as a horse is released from being harnessed to the chariot that it draws, as at I.05.369, so too the menos is released from the body. On metaphor, see the inventory of Words and Ideas. In the present context, the noun psūkhē ‘spirit’ is used as a synonym of menos.

source

The epithet Dios thugatēr / thugatēr Dios ‘daughter of Zeus’, applied here to Aphrodite, can signal the beneficence of such goddesses toward privileged heroes like, in this case, Aeneas.

source
Leonard Muellner

in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

source

analysis of other gods’ interference in the fighting after Ares has withdrawn on Athena’s urging as only to restrain and defend

source

analysis of philotēs and timē going together with this passage as an example

source