Homer Iliad 5.175

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 5.159 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 5.159 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 5.159 focus
Then he came upon two sons of Priam, [160] Ekhemmon and Khromios, as they were both in one chariot. He sprang upon them as a lion fastens on the neck of some cow or heifer when the herd is feeding in a coppice. For all their vain struggles he flung them both from their chariot and stripped the armor from their bodies. [165] Then he gave their horses to his comrades to take them back to the ships.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 5.159 focus
The blue-eyed Pallas spake, and disappeared;
160
And Diomed went back into the field
And mingled with the warriors. If before
His spirit moved him fiercely to engage
The men of Troy, a threefold courage now
Inspired him. As a lion who has leaped
165
Into a fold-and he who guards the flock
Has wounded but not slain him - feels his rage
Waked by the blow; - the affrighted shepherd then
Ventures not near, but hides within the stalls,
And the forsaken sheep are put to flight,
170
And, huddling, slain in heaps, till o'er the fence
The savage bounds into the fields again; -
Such was Tydides midst the sons of Troy.
Astynoüs first he slew, Hypenor next,
The shepherd of the people. One he pierced
175
High on the bosom with his brazen spear,
And smote the other on the collar-bone
With his good sword, and hewed from neck and spine
The shoulder. There he left the dead, and rushed
To Abas and to Polyeidus, sons
180
Of old Eurydamas, interpreter
Of visions. Ill the aged man had read
His visions when they joined the war. They died,
And Diomed, the valiant, spoiled the slain.
Xanthus and Thoön he encountered next,
185
The sons of Phænops, born in his old age.
No other child had he, to be his heir,
And he was worn with length of years. These two
Tydides smote and took their lives, and left
Grief to their father and regretful cares,
190
Since he no more should welcome their return
From war, and strangers should divide his wealth.
Then smote he Chromius and Echemon, sons
Of Dardan Priam, in one chariot both.
As on a herd of beeves a lion springs
195
While midst the shrubs they browse, and breaks their necks,
Heifer or ox, - so sprang he on the twain
And struck them, vainly struggling, from their car,
And spoiled them of their arms, and took their steeds,
And bade his comrades lead them to the fleet.
200
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 5.159 focus
Two sons of Priam in one chariot ride,
Glittering in arms, and combat side by side.
205
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 5.159 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 5.159 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 5.159 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 5 focus

New Alexandria Commentaries

Gregory Nagy

The momentum of the war is spirited, and the fighting mood of the warriors verges on overreaching. An outstanding example is Diomedes, who already owns a glorious past as a conquering hero in the epic tradition known as the Sons of the Seven against Thebes or Epigonoi. Now in the epic present of the Iliad he has a chance to outdo himself, performing deeds so glorious that they would outshine perhaps even the deeds of Achilles, who is now out of the picture. The successes of Diomedes reach the point where he is capable of feats that are superhuman, as when he lifts a rock that even two humans today could not budge—or as when he wounds the god of war himself, Ares, and then, shortly thereafter, the goddess of love and sexuality, Aphrodite. But such momentum is not to last, and the antagonism of Diomedes toward divinities will have its consequences.

draft js image error“Aeneas and Diomedes.” Wenceslaus Hollar (Bohemian, 1607–1677). Image via Wikimedia Commons.

source

This is the first occurrence of the noun hēni-okhos ‘chariot driver’ in the Iliad. Literally, the word means ‘he who holds the reins’.

source
Leonard Muellner

analysis of references to divine mēnis against Trojans in the context of an Achaean warrior’s efforts

source

analysis of recurrent aspects of the mēnis theme, here that group offences incur mēnis

source

in the list of offenses that (threaten to) incur mēnis

source

in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

source

analysis of the contrast between unmarked phanai and marked eukhesthai in contexts where the latter is associated with asserting superiority [MRBTP: 'ff']

source

comment on the etiquette of naming conventions, the omission of one’s own name in geneē-speeches vs. mentioning another’s name in such contexts, and stating one’s own name as a sign of special fame (in the context of analyzing genos eukhesthai einai formulas)

source

in a list of attestations of genos eukhesthai einai and its transformations

source

comment on the etiquette of naming conventions, the omission of one’s own name in geneē-speeches vs. mentioning another’s name in such contexts, and stating one’s own name as a sign of special fame (in the context of analyzing genos eukhesthai einai formulas)

source

comment on the etiquette of naming conventions, the omission of one’s own name in geneē-speeches vs. mentioning another’s name in such contexts, and stating one’s own name as a sign of special fame (in the context of analyzing genos eukhesthai einai formulas)

source

in a list of attestations of genos eukhesthai einai and its transformations

source

analysis of the divergent attestations of eukhesthai in the context of genos specification, namely, Aeneas’ specification of both of his parents, with eukhesthai ekgegamen instead of genos eukhesthai einai

source