Homer Iliad 21.596

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 21.571 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 21.571 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 21.571 focus
So saying he stood on his guard and awaited Achilles, for he was now fain to fight him. As a leopardess that bounds from out a thick covert to attack a hunter— [575] she knows no fear and is not dismayed by the baying of the hounds; even though the man be too quick for her and wound her either with thrust or spear, still, though the spear has pierced her she will not give in till she has either caught him in her grip or been killed outright— [580] even so did noble Agenor son of radiant Antenor refuse to flee till he had made trial of Achilles, and took aim at him with his spear, holding his round shield before him and crying with a loud voice. “Of a truth,” said he, “noble Achilles, you deem that you shall this day ransack the city of the proud Trojans. [585] Fool, there will be trouble enough yet before it, for there is many a brave man of us still inside who will stand in front of our dear parents with our wives and children, to defend Ilion. Here therefore, huge and mighty warrior though you be, here shall you die.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 21.571 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 21.571 focus
He said, and stood, collected in his might;
675
And all his beating bosom claim'd the fight.
So from some deep-grown wood a panther starts,
Rous'd from his thicket by a storm of darts:
Untaught to fear or fly, he hears the sounds
Of shouting hunters, and of clamorous hounds;
680
Though struck, though wounded, scarce perceives the pain,
And the barb'd javelin stings his breast in vain;
On their whole war, untam'd the savage flies;
And tears his hunter, or beneath him dies.
Not less resolv'd Antenor's valiant heir
685
Confronts Achilles, and awaits the war,
Disdainful of retreat: high-held before,
His shield (a broad circumference) he bore;
Then, graceful as he stood, in act to throw
The lifted javelin, thus bespoke the foe:
690
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 21.571 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 21.571 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 21.571 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 21 focus

New Alexandria Commentaries

Gregory Nagy

The momentum of Achilles continues to heat up. The Trojans are now retreating as fast as they can, heading back toward Troy to find safety there within the sacred walls of that ancient citadel. In their hurry to get away from the field of battle, their hasty retreat has quickly turned into a chaotic and humiliating rout. Achilles is right behind them, in hot pursuit, slaughtering left and right the fleeing Trojans. The hero seems unstoppable. But Achilles meets his match when he provokes the river god Scamander, whose clear streams he has polluted with the gore of countless Trojans that he slaughters while they are desperately attempting to ford the god’s river.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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