Homer Iliad 15.377

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 15.379 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 15.379 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 15.379 focus
All counseling Zeus thundered loudly in answer to the prayer of the aged son of Neleus. When they heard Zeus thunder [380] they flung themselves yet more fiercely on the Achaeans. As a wave breaking over the bulwarks of a ship when the sea runs high before a gale—for it is the force of the wind that makes the waves so great—even so did the Trojans spring over the wall with a shout, [385] and drive their chariots onwards. The two sides fought with their double-pointed spears in hand-to-hand encounter—the Trojans from their chariots, and the Achaeans climbing up into their ships and wielding the long pikes that were lying on the decks ready for use in a sea-fight, jointed and shod with bronze.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 15.379 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 15.379 focus
Presumptuous Troy mistook th' accepting sign,
And catch'd new fury at the voice divine.
As, when black tempests mix the seas and skies,
440
The roaring deeps in watery mountains rise,
Above the sides of some tall ship ascend,
Its womb they deluge, and its ribs they rend:
Thus loudly roaring, and o'erpowering all,
Mount the thick Trojans up the Grecian wall;
445
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 15.379 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 15.379 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 15.379 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 15 focus

New Alexandria Commentaries

Douglas Frame

analysis of Nestor’s perceiving and interpreting signs in answer to prayers, here with regard to prayers for nostos from Troy

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analysis of Nestor’s perceiving and interpreting signs in answer to prayers, here Trojans’ misunderstanding of the sign as favorable to their attack

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parallelism between Nestor and Patroclus in scenes where they both leave their patients, and, in this passage, Patroclus’ repeating Nestor’s advice

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Gregory Nagy

The climax of the fighting in the Iliad is now approaching. Patroklos is about to enter the war, and the Will of Zeus is about to be fulfilled.

draft js image errorAjax defending the ships of the Greeks. After a drawing by John Flaxman. Image via Wikimedia Commons.

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This noun īs ‘force, violence, strength’ is a synonym of the noun biē. Here, as elsewhere, it refers to the elemental force or violence of a storm.

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As we see here, the sterns of the beached ships are contiguous with the Achaean Wall. See also the comment at I.14.027–036.

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A nameless therapōn is mentioned here in passing: he happens to be the ‘attendant’ of the hero Eurypylos.

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Even though the attacking Trojans here are fewer in number than the defending Achaeans, they are evenly matched in strength. This detail is relevant to the taunt of Sthenelos when he insults Agamemnon at I.04.407. See the comment on I.04.368–410.

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Hector and Ajax are struggling one-on-one with each other here: Hector is trying to set on fire the ship that Ajax is protecting from the fire. No clear outcome of the struggle is as yet visible.

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The ships of the Achaeans, as a sum total of all the ships, are pictured here as an agōn in the sense of ‘coming together’. See the comment on I.23.257–258.

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Hector is throwing his spear at the hero Ajax but misses, and the flying spear hits instead the hero Lykophron, described here as the therapōn of Ajax, I.15.431. So, Lykophron as therapōn is not only the ‘attendant’ of Ajax but also his ‘ritual substitute’. When Lykophron “takes the hit” for Ajax, he is standing right next to him, as if the two of them were standing side by side on the platform of a chariot. It is the physical reality of thus standing side by side that makes the chariot driver the prime alternative target for “taking the hit” in place of the chariot fighter. The chariot driver is thus the perfect substitute for the chariot fighter. In this case, however, Ajax and Lykophron are standing side by side not on the platform of a chariot but on the deck of the beached ship that the two of them are defending from the fire of Hector. The venue for ritual substitution is different, but the ritual pose, as it were, of standing side by side remains the same.

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Leonard Muellner

analysis of the formula (A), in which there is a series of variations in the verse as a totality, rather than its segments occurring as independent formulas

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analysis of interconnections of themis and mēnis, which protects the former

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