Homer Iliad 15.379

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Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 15.379 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 15.379 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 15.377 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 15.379 focus
All counseling Zeus thundered loudly in answer to the prayer of the aged son of Neleus. When they heard Zeus thunder [380] they flung themselves yet more fiercely on the Achaeans. As a wave breaking over the bulwarks of a ship when the sea runs high before a gale—for it is the force of the wind that makes the waves so great—even so did the Trojans spring over the wall with a shout, [385] and drive their chariots onwards. The two sides fought with their double-pointed spears in hand-to-hand encounter—the Trojans from their chariots, and the Achaeans climbing up into their ships and wielding the long pikes that were lying on the decks ready for use in a sea-fight, jointed and shod with bronze.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 15.379 focus
Presumptuous Troy mistook th' accepting sign,
And catch'd new fury at the voice divine.
As, when black tempests mix the seas and skies,
440
The roaring deeps in watery mountains rise,
Above the sides of some tall ship ascend,
Its womb they deluge, and its ribs they rend:
Thus loudly roaring, and o'erpowering all,
Mount the thick Trojans up the Grecian wall;
445
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 15.379 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 15.379 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 15.379 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 15 focus

New Alexandria Commentaries

Gregory Nagy

The climax of the fighting in the Iliad is now approaching. Patroklos is about to enter the war, and the Will of Zeus is about to be fulfilled.

draft js image errorAjax defending the ships of the Greeks. After a drawing by John Flaxman. Image via Wikimedia Commons.

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What follows is an epitome from HC 4§268. These verses containing the words of Hector, I.15.494–499, are quoted in a speech delivered by the Athenian statesman Lycurgus, Against Leokrates (103). The context is this: Lycurgus is arguing that the beautiful death foreseen by Hector, his belle mort, can be pictured as a model for Athenians when they contemplate the possibility that they too will die when they fight their wars. Lycurgus refers to the willingness of Athenian citizens to die in war not only for their own patris ‘fatherland’ but also for all of Hellas as a patris ‘fatherland’ that is koinē ‘common’ to all Hellenes (Against Leokrates 104). Lycurgus invokes as his prime example the belle mort of the Athenian citizen-warriors who fought at Marathon and who thereby won for Hellas a freedom from terror, an adeia ‘security’ that is koinē ‘common’ to all Hellenes (104). The Athenian statesman is making this reference to the interests of Athens in the context of actually quoting the words of Hector in the Iliad, who says that he is willing to die for his fatherland in order to protect it against the Achaeans (Lycurgus Against Leokrates 103 lines 4–9). These heroic words of Hector correspond to I.15.494–499 here, and Lycurgus quotes them in the larger context of saying that the Homeric Iliad and Odyssey, as performed at the quadrennial Athenian festival of the Panathenaia, are the ancestral heritage of the Athenians and the primary source of their education as citizen-warriors (Against Leokrates 102). In this invocation of Homeric poetry as the most sublime expression of the Athenian empire, the statesman is quoting the words of a Trojan, not the words of an Achaean. It is the belle mort of Hector that motivates the Athenians to live up to the heroic legacy they learn from Homer.

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Leonard Muellner

examples of the identical contexts in which eukhos and kudos occur

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in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

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