Homer Iliad 5.835

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

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Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 5.835 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 5.792 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 5.835 focus
With this she caught hold of Sthenelos and lifted him off the chariot on to the ground. In a second he was on the ground, whereupon the goddess mounted the car and placed herself by the side of radiant Diomedes. The oaken axle groaned aloud under the burden of the terrifying goddess and the hero; [840] Pallas Athena took the whip and reins, and drove straight at Arēs. He was in the act of stripping huge Periphas, shining son of Okhesios and bravest of the Aetolians. Bloody Arēs was stripping him of his armor, and Athena [845] donned the helmet of Hādēs, that he might not see her; when, therefore, he saw Diomedes, breaker of horses, he made straight for him and let Periphas lie where he had fallen. [850] As soon as they were at close quarters he let fly with his bronze spear over the reins and yoke, thinking to take Diomedes’ life, but owl-vision Athena caught the spear in her hand and made it fly harmlessly over the chariot. [855] Diomedes of the great war cry then threw, and Pallas Athena drove the spear into the pit of the stomach of brazen Arēs, where his under-belt went round him. There Diomedes wounded him, tearing his fair flesh and then drawing his spear out again. Arēs roared [860] as loudly as nine or ten thousand men in the thick of a fight, and the Achaeans and Trojans were struck with panic, so terrifying was the cry he raised.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 5.835 focus
Minerva hid her face
In Pluto's helmet, that the god might fail
To see her. As that curse of humankind
Beheld the approach of noble Diomed,
He left the corpse of Periphas unspoiled
1055
Where he had fallen, and where he breathed his last,
And came in haste to meet the Grecian knight.
And now, when they were near, and face to face,
Mars o'er the chariot-yoke and horses' reins
First hurled his brazen spear, in hope to take
1060
His enemy's life; but Pallas with her hand
Caught it and turned it, so that it flew by
And gave no wound. The valiant Diomed
Made with his brazen spear the next assault,
And Pallas guided it to strike the waist
1065
Where girded by the baldric. In that part
She wounded Mars, and tore the shining skin,
And drew the weapon back. The furious god
Uttered a cry as of nine thousand men,
Or of ten thousand, rushing to the fight.
1070
The Greeks and Trojans stood aghast with fear,
To hear that terrible cry of him whose thirst
Of bloodshed never is appeased by blood.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 5.835 focus
She said, and to the steeds approaching near,
Drew from his seat the martial charioteer. 1
The vigorous power the trembling car ascends,
1030
Fierce for revenge; and Diomed attends.
The groaning axle bent beneath the load;
So great a hero, and so great a god.
She snatch'd the reins, she lash'd with all her force,
And full on Mars impell'd the foaming horse:
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But first to hide her heavenly visage, spread
Black Orcus' helmet 2 o'er her radiant head.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 5.835 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 5.835 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 5.835 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 5 focus

New Alexandria Commentaries

Douglas Frame

comparison of Diomedes and Athena to the Epeian twins (of I.23)

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comparison of Diomedes and Athena to the Epeian twins (of I.23)

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Gregory Nagy

The momentum of the war is spirited, and the fighting mood of the warriors verges on overreaching. An outstanding example is Diomedes, who already owns a glorious past as a conquering hero in the epic tradition known as the Sons of the Seven against Thebes or Epigonoi. Now in the epic present of the Iliad he has a chance to outdo himself, performing deeds so glorious that they would outshine perhaps even the deeds of Achilles, who is now out of the picture. The successes of Diomedes reach the point where he is capable of feats that are superhuman, as when he lifts a rock that even two humans today could not budge—or as when he wounds the god of war himself, Ares, and then, shortly thereafter, the goddess of love and sexuality, Aphrodite. But such momentum is not to last, and the antagonism of Diomedes toward divinities will have its consequences.

draft js image error“Aeneas and Diomedes.” Wenceslaus Hollar (Bohemian, 1607–1677). Image via Wikimedia Commons.

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The description of Diomedes here as aristos ‘best’ implies that he is still in contention for the absolute title ‘best of the Achaeans’ in the Iliad.

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The description of the hero Periphas here as ‘best of the Aetolians’ can be seen as a subcategory of the all-important title ‘best of the Achaeans’.

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