Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.
Sponsored by Perseus Project, Tufts University.
Funding provided by The Annenberg CPB/Project.
Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.
Sponsored by Perseus Project, Tufts University.
Funding provided by The Annenberg CPB/Project.
Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)
The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.
Mourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.
Image via Wikimedia Commons.
Thetis conveys the Will of Zeus to her son. Her role here in Iliad 24 is symmetrical with her role in Iliad 1.
analysis of Thetis’ speech to Achilles for the three things (food, sex, and death) that are central to his philotēs/solidarity with his fellow humans
Achilles’ apparent continuing of his antisocial behavior and refusal to let go after losing and mourning someone philos (comparison with situation in I.09.) vs. his immediate acquiescence to Thetis’ request (from Zeus)
analysis of Achilles’ decision to ransom Hektor as a reconfirmation of his solidarity with Zeus
analysis of the language affirming the rules of reciprocal exchange in Achilles’ ransoming Hektor/receiving Priam (Zeus’ words), with particular comment on endukeōs