Homer Iliad 17.656

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

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Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 17.656 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 17.626 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 17.656 focus
Menelaos heeded his words and went his way as a lion from a stockyard—the lion is tired of attacking the men and hounds, [660] who keep watch the whole night through and will not let him feast on the fat of their herd. In his lust of meat he makes straight at them but in vain, for darts from strong hands assail him, and burning brands which daunt him for all his hunger, so in the morning he slinks sulkily away— [665] even so did Menelaos of he great war cry sorely against his will leave Patroklos, in great fear lest the Achaeans should be driven back in rout and let him fall into the hands of the foe. He charged Meriones and the two Ajaxes, strictly saying, [670] “Ajaxes and Meriones, leaders of the Argives, now indeed remember how good Patroklos was; he was ever courteous while alive, bear it in mind now that he is dead.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 17.656 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 17.656 focus
So turns the lion from the nightly fold,
Though high in courage, and with hunger bold,
Long gall'd by herdsmen, and long vex'd by hounds,
Stiff with fatigue, and fretted sore with wounds;
The darts fly round him from a hundred hands,
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And the red terrors of the blazing brands:
Till late, reluctant, at the dawn of day
Sour he departs, and quits th' untasted prey.
So mov'd Atrides from his dangerous place,
With weary limbs, but with unwilling pace;
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The foe, he fear'd, might yet Patroclus gain,
And much admonish'd, much adjur'd his train:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 17.656 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 17.656 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 17.656 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 17 focus

New Alexandria Commentaries

Gregory Nagy

The main preoccupation of the Achaeans here in Iliad 17 is to recover the corpse of Patroklos. Their efforts are understandable, in that they are showing their sense of solidarity by trying to rescue from harm the body of a fellow warrior who has fallen in battle. But the motivation here goes deeper. Patroklos is a cult hero in the making, and the corpses of heroes are essential for establishing hero cults in their honor. And the foreseen status of Patroklos as cult hero prefigures a comparable status for Achilles himself beyond the Iliad.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.Photographed/scanned by H.-P.Haack (Antiquariat Dr. Haack Leipzig) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0) or Public domain], via Wikimedia Commons.

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The news of the death of Patroklos is being poetically formulated here. This death is a pēma ‘pain’, I.17.688, which a god has ‘rolled’ down, as expressed by way of the verb kulindein, upon the Achaeans. See the comment on I.11.347, where we see that this pain is pictured as some boulder that has broken away from the heights above and is now about to crush anyone and anything that stands in the way. And what is this pain? It is the death of the ‘best of the Achaeans’, who is identified here as Patroklos, ritual substitute of Achilles. And the pain caused by this death will cause in turn a pothē ‘longing’ for the hero who has fallen. This noun pothē ‘longing’, like the verb potheîn ‘long for’, evokes the feelings of those who worship cult heroes: see the comment on I.02.695–709.

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