Homer Iliad 6.369

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So spake the plumed Hector, and withdrew,
And reached his pleasant palace, but found not
White-armed Andromache within, for she
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Was in the tower, beside her little son
And well-robed nurse, and sorrowed, shedding tears.
And Hector, seeing that his blameless wife
Was not within, came forth again, and stood
Upon the threshold questioning the maids.
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"I pray you, damsels, tell me whither went
White-armed Andromache? Has she gone forth
To seek my sisters, or those stately dames,
My brothers' wives? Or haply has she sought
The temple of Minerva, where are met
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The other bright-haired matrons of the town
To supplicate the dreaded deity?"
Then said the diligent housewife in reply: —
"Since thou wilt have the truth, - thy wife is gone
Not to thy sisters, nor those stately dames,
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Thy brothers' wives; nor went she forth to join
The other bright-haired matrons of the town,
Where in Minerva's temple they are met
To supplicate the dreaded deity.
But to the lofty tower of Troy she went
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When it was told her that the Trojan troops
Lost heart, and that the valor of the Greeks
Prevailed. She now is hurrying toward the walls,
Like one distracted, with her son and nurse."
So spake the matron. Hector left in haste
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The mansion, and retraced his way between
The rows of stately dwellings, traversing
The mighty city. When at length he reached
The Scæan gates, that issue on the field,
His spouse, the nobly-dowered Andromache,
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Came forth to meet him, - daughter of the prince
Eëtion, who, among the woody slopes
Of Placos, in the Hypoplacian town
Of Thebé, ruled Cilicia and her sons,
And gave his child to Hector great in arms.
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She came attended by a maid, who bore
A tender child-a babe too young to speak -
Upon her bosom, - Hector's only son,
Beautiful as a star, whom Hector called
Scamandrius, but all else Astyanax, -
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The city's lord, - since Hector stood the sole
Defence of Troy. The father on his child
Looked with a silent smile. Andromache
Pressed to his side meanwhile, and, all in tears,
Clung to his hand, and, thus beginning, said: -
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"Too brave! thy valor yet will cause thy death.
Thou hast no pity on thy tender child,
Nor me, unhappy one, who soon must be
Thy widow. All the Greeks will rush on thee
To take thy life. A happier lot were mine,
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If I must lose thee, to go down to earth,
For I shall have no hope when thou art gone,
Nothing but sorrow. Father have I none,
And no dear mother. Great Achilles slew
My father when he sacked the populous town
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Of the Cilicians, - Thebe with high gates.
'Twas there he smote Eëtion, yet forbore
To make his arms a spoil; he dared not that,
But burned the dead with his bright armor on,
And raised a mound above him. Mountain-nymphs,
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Daughters of ægis-bearing Jupiter,
Came to the spot and planted it with elms.

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 6.369 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 6.369 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 6.390 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 6.369 focus
Then Hector of the shining helmet left her, [370] and right away was at his own house. He did not find Andromache of the white arms, for she was on the wall with her child and one of her maids, weeping bitterly. Seeing, then, that she was not within, [375] he stood on the threshold of the women’s rooms and said, “Women, tell me, and tell me true, where did Andromache go when she left the house? Was it to my sisters, or to my brothers’ wives? or is she at the temple of Athena [380] where the other women are propitiating the terrifying goddess?”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 6.369 focus
He said, and pass'd with sad presaging heart
To seek his spouse, his soul's far dearer part;
At home he sought her, but he sought in vain:
She, with one maid of all her menial train,
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English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 6.369 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 6.369 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 6.369 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 6 focus

New Alexandria Commentaries

Douglas Frame

analysis of methienai and contrasting it with loose-wittedness, and its application to Menelaus

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Gregory Nagy

A high point here in Rhapsody 6 is a tearful scene of farewell for Andromache and Hector. The loving wife will never again see her husband alive. The scene is justly admired for its artistic portrayal of this tragically doomed couple, but the verbal artistry extends even further: also to be most admired here is the remarkable precision of poetic language in representing lament as it was actually performed in ancient Greek song culture.

draft js image errorApulian red-figure column-crater (ca. 370–360 BCE) depicting an intimate family scene: Hector removes his helmet as he says his final farewell to his wife Andromache and to their child Astyanax. Public domain image by Jastrow via Wikimieda Commons

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lemmatizing: δακρυόεν γελάσασα

As Andromache watches her husband Hector embracing their child, she ‘smiles through her tears’, or, more literally, she ‘smiles a smile that is tearful’. This weak smile carries over from I.06.471, where both father and mother smile when their child is frightened by the helmet of Hector.

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After they say farewell to each other, Hector turns away and goes off to the battlefield, facing the certainty of death, while Andromache turns away and goes off to her chamber. But ‘she keeps turning back again and again’ toward Hector, entropalizomenē at I.06.496, hoping to catch one last glimpse of the receding view of her doomed husband.

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