Homer Iliad 5.416

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She spake, and wiped the ichor from the hand
Of Venus; at her touch the hand was healed
And the pain left it. Meantime Pallas stood,
With Juno, looking on, both teasing Jove
520
With words of sarcasm. Blue-eyed Pallas thus
Addressed the god: "O Father Jupiter,
Wilt thou be angry at the word I speak? -
As Venus, wheedling some Achaian dame
To join the host she loves, the sons of Troy,
525
Caressed the fair, arrayed in gay attire,
A golden buckle scratched her tender hand."
As thus she spake, the Father of the gods
And mortals, calling golden Venus near,
Said, with a smile: "Nay, daughter, not for thee
530
Are tasks of war; be gentle marriage-rites
Thy care; the labors of the battle-field
Pertain to Pallas and the fiery Mars."
Thus with each other talked the gods, while still
The great in battle, Diomed, pursued
535
Æneas, though he knew that Phœbus stretched
His arm to guard the warrior. Small regard
Had he for the great god, and much he longed
To strike Æneas down and bear away
The glorious arms he wore; and thrice he rushed
540
To slay the Trojan, thrice Apollo smote
Upon his glittering shield. But when he made
The fourth assault, as if he were a god,
The archer of the skies, Apollo, thus
With menacing words rebuked him: "Diomed,
545
Beware; desist, nor think to make thyself
The equal of a god. The deathless race
Of gods is not as those who walk the earth."
He spake; the son of Tydeus, shrinking back,
Gave way before the anger of the god
550
Who sends his shafts afar. Then Phœbus bore
Æneas from the tumult to the height
Of sacred Pergamus, where stands his fane;
And there Latona and the archer-queen,
Diana, in the temple's deep recess,
555
Tended him and brought back his glorious strength.
Meantime the bowyer-god, Apollo, formed
An image of Æneas, armed like him,
Round which the Trojans and Achaians thronged
With many a heavy weapon-stroke that fell
560
Upon the huge orbs of their ox-hide shields
And lighter bucklers. Now to fiery Mars
Apollo spake: "Mars, Mars, thou plague of men,
Thou steeped in blood, destroyer of walled towns!
Wilt thou not force this man to leave the field?
565
Wilt thou not meet in arms this daring son
Of Tydeus, who would even fight with Jove?
Already has he wounded, in close fight,
The goddess Venus at the wrist, and since
Assaulted me as if he were a god."
570

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 5.416 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 5.416 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 5.443 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 5.416 focus
So saying, she wiped the ikhōr from the wrist of her daughter with both hands, whereon the pain left her, and her hand was healed. But Athena and Hera, who were looking on, began to taunt Zeus son of Kronos with their mocking talk, [420] and Athena was first to speak. “Father Zeus,” said she, “do not be angry with me, but I think the Cyprian must have been persuading some one of the Achaean women to go with the Trojans of whom she is so very fond, and while caressing one or other of them [425] she must have torn her delicate hand with the gold pin of the woman’s brooch.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 5.416 focus
This said, she wip'd from Venus' wounded palm
505
The sacred ichor, and infus'd the balm.
Juno and Pallas with a smile survey'd,
And thus to Jove began the blue-ey'd maid:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 5.416 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 5.416 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 5.416 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 5 focus

New Alexandria Commentaries

Douglas Frame

analysis of aorist meaning of hairéō, “to slay” as evidence for the suggestion that hairéō and halṓō are genuinely opposed pairs

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analysis of the location of Phērai and an objection to its location in Messenia

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in the context of discussing the extent of the Pylian kingdom

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Gregory Nagy

The momentum of the war is spirited, and the fighting mood of the warriors verges on overreaching. An outstanding example is Diomedes, who already owns a glorious past as a conquering hero in the epic tradition known as the Sons of the Seven against Thebes or Epigonoi. Now in the epic present of the Iliad he has a chance to outdo himself, performing deeds so glorious that they would outshine perhaps even the deeds of Achilles, who is now out of the picture. The successes of Diomedes reach the point where he is capable of feats that are superhuman, as when he lifts a rock that even two humans today could not budge—or as when he wounds the god of war himself, Ares, and then, shortly thereafter, the goddess of love and sexuality, Aphrodite. But such momentum is not to last, and the antagonism of Diomedes toward divinities will have its consequences.

draft js image error“Aeneas and Diomedes.” Wenceslaus Hollar (Bohemian, 1607–1677). Image via Wikimedia Commons.

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Aeneas here kills two Achaeans=Danaans, who are described as ‘the best [aristoi] of the Danaans’. But the use of the plural aristoi in the sense of ‘best’ does not convey the same kind of zero-sum competition among the Achaeans=Danaans=Argives as does the use of the singular aristos in the sense of ‘the very best’.

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Leonard Muellner

example of a common formula with a different half-line following it nine other times (the poetics of the battle-books as promoting the preservation of archaisms and stimulating the innovatory usage of a half of a formula outside its conventional context)

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