Homer Iliad 23.555

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Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 23.555 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 23.555 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 23.596 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 23.555 focus
Swift-footed Achilles smiled as he heard this, and was pleased with Antilokhos, who was one of his dearest comrades. So he said, “Antilokhos, if you would have me find Eumelos another prize, [560] I will give him the bronze breastplate with a rim of tin running all round it which I took from Asteropaios. It will be worth much money to him.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 23.555 focus
Achilles smil'd: ‘The gift propos'd,’ (he cried,)
‘Antilochus! we shall ourselves provide.
‘With plates of brass the corslet cover'd o'er,
‘(The same renown'd Asteropæus wore,)
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‘Whose glittering margins rais'd with silver shine,
‘(No vulgar gift,) Eumelus, shall be thine.’
He said: Automedon at his command
The corslet brought, and gave it to his hand.
Distinguish'd by his friend, his bosom glows
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With generous joy: then Menelaüs rose;
The herald plac'd the sceptre in his hands,
And still'd the clamour of the shouting bands.
Not without cause incens'd at Nestor's son,
And inly grieving, thus the king begun:
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English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 23.555 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 23.555 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 23.555 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 23 focus

New Alexandria Commentaries

Douglas Frame

comment on traditions of Oedipus according to which he remained in Thebes until his death, in context of discussing the expanded reference to him and Epikaste in O.11

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Gregory Nagy

The funeral that Achilles arranges here for Patroklos in the Iliad is in some ways a preview of the funeral that the Achaeans will arrange for Achilles himself beyond the time-frame of the Iliad. A high point of the funeral in Iliad 23 is a spectacular chariot race arranged by Achilles to honor his dead comrade Patroklos. But an earlier high point is a comparably spectacular cremation of his friend’s body. But this cremation of Patroklos, as a ritual, is far from perfect: it is in fact polluted, and the pollution will make Achilles look bad, at least for the moment. The polluted thoughts of the hero, as evidenced by his dragging the corpse of Hector behind his speeding chariot, will drive him to extremes that will challenge the cosmic order. But the Master Narrator of the Iliad will remedy the pollution, and the remedy will take the form of actually narrating the grim story. In the process of this narration, a great lesson will be learned about life, death, and a hoped-for recovery of life.

draft js image errorAchilles dragging the body of Hector. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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analysis of connection between the metaphor of the master carpenter and the art of the poet and of kúklos as a metaphor for the sum total of Homeric poetry. See Il. XXIII.340, Il. V.722

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analysis of ar- (ars, arariskein) and tek(s)- (tekhnē, texō) as applied to poetry and carpentry

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analysis of the theme of biē, specifically in its elemental dimension, here the power of winds as designated by it or its synonym is (as in this verse)

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analysis of Eustathius’ notion (1.9) of the ancient rationale of distinct color schemes

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as an epithet, kratero- as a variant of hiero- in combinations with is + gen. of the hero’s name

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analysis of krataiis ‘whose is has kratos’ and Akhaioi

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