Philoctetes. Sophocles. Thomas Francklin (Translator). London. 1758–1759.
English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))
Provisional text from uncorrected OCR; expect errors.
mvp-comment-616-1 εἴ τι σέβει ξένον 1 εὐνοίᾳ πάσᾳ πελάταν 2 πέλασσον 3
mvp-comment-616-2 Philoctetes is at the mouth of his cave, as if about to enter it (952): the Chorus now advance a little towards him, as they make this earnest appeal. The position of πέλασσον 4 εὐν. π. πελάταν 5
mvp-comment-616-3
Arndt conjectures:
εἴ τι σέβει ξένον γ’ ἔλασσον,...ἀλλὰ γνῶθ’ κ.τ.λ.: ‘if thou hast too little respect for a guest-friend,
at least (
ἀλλὰ) think’ of thine own interest. Such a use of
ἔλασσον would be obscure; and the supposed antithesis of ideas seems forced; since, even if he did ‘revere the stranger,’ that feeling would not be his only motive for leaving Lemnos.
mvp-comment-617-1 ἐπὶ σοὶ 6 ὅτι σοι 7 σοί 8 ὅτι σόν 9
mvp-comment-618-1 βόσκειν 10 μέν 11
mvp-comment-618-2 ἀδαὴς δ’ ἔχειν 12 ὀχεῖν 13
mvp-comment-618-3 ὃ ξυνοικεῖ 14 ὃ 15 ᾧ 16
mvp-comment-619-1 παλαιὸν ἄλγημ’ 17
mvp-comment-619-2 ὑπέμνασας 18
mvp-comment-619-3 τῶν πρὶν ἐντόπων 19
mvp-comment-620-1 ὤλεσας 20
mvp-comment-620-2 εἴργασαι 21
mvp-comment-621-1 τί τοῦτ’ ἔλεξας 22 εἰ … ἤλπισας 23
mvp-comment-621-2 ἄξειν 24
1081-1217.
mvp-comment-740-1
Philoctetes now feels that he is left completely alone and helpless. For the shipmates of Neoptolemus are only to remain for a little while, in the vain hope that he will change his mind. The following commos may be divided into two chief portions. The first, 1081-1160, is in effect one long monody of Philoctetes from the stage, of which the pauses are filled with short recitatives addressed to him by single chorcutae. Without noticing these, he continues the strain of his lament. In the second part, 1161-1217, there is a real interchange of lyric numbers between the Chorus and the chief actor. Still chanting singly, the mariners renew their efforts to win his attention. When they succeed in this, he bids them depart. They make as if to go. Then he calls them back again and begs for means of self-destruction. The commos ends on the re-appearance of Neoptolemus followed by Odysseus. It is evident that the second part of it especially must have been accompanied with various gestures and movements to and fro in the orchestra. The 'melodramatic' character of this portion of the Philoctetes (ll. 730-1217) may be compared with the opening of the Oedipus Coloneus. The metrical scheme (in which again there are several doubtful points) is as follows :-
α'.
(1.)
_ _ _ _ _UU_
__UU_U_ _
_ _
_ _ _ _
_ _ _ _ _
_UU_UU_UU_UU_
(?)_U_U_U_
(2.)
_UU_UU_UU_U_ _
1
2
_ Iambic.
_UU_U_ Glyconic.
Glyconic _UU_U_
Dactylic { _UU_UU_
Iambic _U_U_ _ _
β'.
(1.)
_ _ _ _
__UU_U_ _
__UU_U_ _
_UU_UU_U_
_ _
10 _UU_UU_
(2) _U_U_ _
_U_UU_U_UU__
_U__UU_U_U_U_UU_
15 _UU_U_U_UU_UU_UU_U__
3
(2.)
__UU_U_U__
_ _ _ _ _UU_
_ _ _ _ _UU_
_U_UU__
U_ _U_UU_U_U__
4
5
6
ἐπ. (ἀπολελυμένα).
For the substitution of − ᴗ – for ᴗ ᴗ in Ionic verse, which is allowed by some writers on metre, see Christ's Metrik, § 521.
(1.)
_U_U_
_ _U_U_U_U_U_U_U_
_U_U_U_
_ _ _ _
_U_UU__UU__UU__
_ _
_ _UU_UUUUUU
7
_U_U_ _U_U_
_ _ _ _ _ _ _
_ _UU_U_
__UU_U_U_
20 U_U_U_
U_UU_UU_
_U_U_U_U_U_U_U_U_
_UU_U_
(2.)
_UU_UU_U_
_ _ _U_UU__
_ _ _ _ _U__
_UU_U_U_UUUUU__
_ _ _
30 U_U_U_U_
_UU_U_
_ _U_U_U_U_
_U_U__U_U_
35 U_U_U_
If the irregularities of the above scheme are compared with those noticed in the note on O. C. 117-254, in vol. 1. p. 298, it will be found that they cannot be adequately accounted for by supposing extensive corruptions of the text. For (a) they are similar in kind to those in O. C., (b) they do not as a rule in either case violate the general laws of metre. While admitting some corruptions, it is reasonable also to suppose that in these later plays of Sophocles the severity of rhythm is relaxed in the lyric dialogue as well as in the senarii. This may be partly accounted for by the 'melodramatic' element encroaching on tragedy, and partly by contemporary innovations in the art of music.
1081-1217. mvp-comment-740-2 In antistrophe _ _ _ _ _ _ _
1081-1217. mvp-comment-740-3 2 Or, _ _ _ _ _ _ _ _. Cp. β' (2), ll. 2, 3.
1081-1217. mvp-comment-740-4 3
1081-1217. mvp-comment-740-5 In antistrophe U_ _ _
1081-1217. mvp-comment-740-6 2 In antistrophe U_UU_U__
1081-1217. mvp-comment-740-7 3 In antistrophe _ _UU_U_UU_UU_U_U_
1081-1217. mvp-comment-740-8 10
1152. mvp-comment-781-1 Some editors put a comma after ἐγώ, so as to connect τανῦν with ἔχω; but the language runs more simply as in the text.
1153. mvp-comment-782-1 ἀνέδην.. ἐρύκεται] 'Has no effective guard.' Lit. 'Is guarded by being abandoned,' an oxymoron. Cp. Aj. 1214, where ἀνίημι is used of the removal of a defence: Thuc. 4. 27, σφῶν ἀνέντων τὴν φυλακὴν περιγενήσεσθαι τοὺς ἄνδρας. The subject of the passive ἐρύκεται would have been in the dative after the active voice, ἐρύκειν θῆρας χώρῳ. Cp. Od. 5. 166, ἃ κέν τοι λιμὸν ἐρύκοι.
1154. mvp-comment-783-1 φοβητός is the verbal of φοβέομαι as a deponent verb = 'To be fled from.'
1155. mvp-comment-784-1 νῦν καλόν] 'Now is a golden time.'
1156. mvp-comment-785-1 ἀντίφονον . . πρὸς χαρίν] ‘Το glut your vengeful-gory jaws to heart's content.' For the compound ἀντίφονον, see Essay on L. § 54. p. 100, d. And for πρὸς χάριν, cp. πρὸς ἡδονήν. πρὸς χάριν, in Ant. 30, is in a different connection.
1157. mvp-comment-786-1 ἐμᾶς σαρκὸς αἰόλας] ‘On my discoloured flesh.' On the meaning of αἰόλος, see note on Trach. 834. Philoctetes is bitterly conscious that he is not as other men are. Cp. supr. 227.
1158. mvp-comment-787-1 The tmesis of ἀπό recurs infr. 1177, 1207; supr. 817.
1159. mvp-comment-788-1 ἐν αὔραις] i. e. With no surroundings but the 'casing' air.
1160. mvp-comment-789-1 πέμπει] 'Ministers,' 'Gives.' Cp. Hdt. 7. 106, τῷ μούνῳ Ξέρξης δῶρα πέμπεσκε. Τhe same notion is resumed in βιόδωρος, ‘Sustenance,' 'Ministering,' 'Sustaining.' For the refinement by which the simple verb is used for the compound ἀναπέμπει, which would be more usual in this connection, see Essay on L. § 55. p. 101, 4.
1161-1168. mvp-comment-790-1 The reciter of these lines, who is probably the coryphaeus, feels hurt at the prolonged indifference of Philoctetes to the presence of the Chorus, and makes a further and successful effort to engage his attention. εἴ τι σέβει ξένον] 'If you reverence anything friendly,' i. e. 'If you have any respect for the kindness of a friend.' πέλασσον.. πελάταν] 'Draw near to him who draws near to thee with the best of good will.' πελάζω here clearly governs the accusative, as in О. С. 1060. The dative of manner follows the verbal noun. ἀλλὰ . . ἀποφεύγειν] 'Yet understand, and be well assured that it devolves on thee to make escape from this calamity.' ἀλλά, as elsewhere, emphasizes entreaty. σοί here, and in О. C. 721, νῦν σοὶ τὰ λαμπρὰ ταῦτα δὴ φαίνειν ἔπη, has an idiomatic force = σὸν ἔργον ἐστίν. The reading in both places has been unnecessarily suspected. For ἔχειν, ‘Το endure,' cp. El. 223, οὐ σχήσω ταύτας ἄτας. For ὅτι σοί Μ. Seyff. conjectures ἐπὶ σοί. 'It is one that is piteous to sustain, and supplies no means of bearing the uncounted sorrows in the midst of which it dwells.' The adjectives belong in meaning, not to the pain, but to the subject of the pain. Cp. Αj. 955, μαινομένοις ἄχεσιν, and note, and for βόσκειν, supr. 313, βόσκων τὴν ἀδηφάγον νόσον.