Sophocles Philoctetes 728

ed. Lewis Campbell

ἀπόλωλα ο from ω ἀπόλωλα, τέκνον, κοὐ δυνήσομαι κακὸν

Philoctetes. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 730-826 focus
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 730 focus
Komm, wenn du willst. Warum verstummst du plözlich so
Was hält dich also starr und stumm?
Ohn' allen Grund?
Ah, ah, ah, ah!
Was hast du?
705
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 730-825 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-397-1 πλάθει 1 πλάθη 2 θείῳ πυρὶ παμφαής 3

mvp-comment-397-2 *

πατρὸς
is my emendation of the corrupt πᾶσι 4 ὅπου 5 πᾶσι 6 πλάθει 7 θείῳ 8 πᾶσι 9 πατρὸς 10

mvp-comment-397-3 The burning of Heracles, and his apotheosis, are combined in some vase paintings. (1) A bowl (

κρατήρ
) of the 4th cent. B.C., now in the Collegio Rainone at Agata S. dei Goti: Milani, Mito di Filottete, p. 65: Baumeister, Denkm., p. 307, fig. 322. In the lower part of the picture is the still burning pyre, which a Nymph on the left is trying to quench by pouring water from a jug. The trunk of the hero's mortal body lies on the pyre. On the right, a bearded figure in a peaked cap is hastily receding. This is either Poeas or Philoctetes: at his side is the quiver given him by the hero for kindling the pyre. Above, a Doric portal represents the entrance to Olympus. Apollo, laurel-crowned, sits on the left of it; a four-horse chariot approaches him, preceded by Hermes. It is driven by a winged goddess (a
Νίκη
): on her left sits Heracles, crowned with laurel, his club in his left hand; a light garment (a sort of chlamys) floats round his shoulders. (2) A Lucanian vase, now at Munich: Baumeister, p. 669, fig. 734. Below is the pyre, with the trunk of Heracles on it: the fire is being quenched by two Nymphs on the right
ΑΠΕΘΟΣΑ
and
ΠΡΕΜΝΟΣΙΑ
(an Attic fountain). On the left are two Satyr figures. Above, Athena Nikè, with helmet, lance, and chequered aegis worn as a corslet, is driving Heracles to Olympus; his left hand holds the club, and round his left arm is wound his chlamys.—We notice how the participation of Nymphs in these scenes illustrates the poet's
Μαλιάδων νυμφᾶν
(v. 725).

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

675-714. mvp-comment-477-1 The preceding scene was calculated to deepen the feeling of compassion for Philoctetes, which had already been awakened both in Neoptolemus and in the Chorus. His generous willingness to trust them with his all, contrasted with their felt dissimulation, has intensified the sympathy which Neoptolemus afterwards avows, 905, 965, 6. Yet the Chorus do not imagine for a moment that their master will relinquish his purpose. Hence, while sincerely pouring forth their lament over Philoctetes' innocent sufferings (which they can only compare with the torment of the guilty Ixion), and really rejoicing in the prospect of his deliverance, they maintain, as in duty bound (since they are within hearing of the cave), the deceptive notion of the voyage to Trachis, and make no mention of Troy. But it must be borne in mind that from the prophecy of Helenus, of which they knew, they had every reason to suppose that the return to Troy, though Philoctetes was averse to it, would be for his good. While this stasimon is being sung (whether by half-choruses or by the whole together), Neoptolemus is with Philoctetes in the cave, and is finding still more cogent evidence of his misery. This stasimon consists of two strophes and antistrophes, of which the first are chiefly logaoedic, the second chiefly choriambic.

675-714. mvp-comment-477-2 α'.
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1 Cp. Aesch. Suppl. 550. 2 Ion. anacl., infr. p. 451, β' 15 and note 3.
β'.
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