Sophocles Philoctetes 167

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 135-217 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 167 focus
NEO
I know not.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 169 focus
Innig jammert des Mannes mich,
Den kein menschliches Auge, das
Seiner hütet und wacht, erquickt,
Wie er, ewig allein, ach !
170
Am wildwühlenden Schmerze krankt
Und Noth leidet an Allem, was
Heischt des Lebens Bedarf. Wie nur, o wie trägt es der Arme nur?
Furchtbare Götterhand! 1
Weh, unseliges Staubgeschlecht,
175
Maßlos duldend im Leben!
Zweite Gegenstrophe.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 167 focus
Philoctetes
Be of good cheer,
Quick my disorder comes, and goes as soon ;
I only beg thee not to leave me here.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 167 focus
Philoctetes
Dreadful indeed: words cannot speak its force.
But pity me.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 135-215 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

135-218. mvp-comment-91-1 We have here a commatic parados (cp. El., O. C.), in which Neoptolemus responds in anapaests to lyric measures chanted apparently by single members of the Chorus, as they take their places in the orchestra. Their entrance must be subsequent to l. 134, for the conversation in ll. 50 foll. would lose its effect if Odysseus and Philoctetes were not alone. The anapaests of Neoptolemus and l. 161, chanted by the coryphaeus, accompany movements of the Chorus, who at l. 169 have already taken up their position. The metres of the lyric part are as follows:- α΄. Glyc. β'. Glyc. γ. Glyc. It is evident that the lyric strains were accompanied with gesticulation, especially in στρ. and ἀντ. γ'. The fact that the Chorus at entering have some knowledge of that which has just been made known upon the stage, is not a sufficient reason for supposing them to have been present during any part of the previous scene. Similarly, in the O. T. the Chorus have been gathered by the news of the arrival of Creon from Delphi, which happens in the midst of the prologos, l. 87; and in the Ajax, the mariners speak of the slanders of Ulysses, which could only be disseminated after his exit. It is best, therefore, to suppose, as above, that the Chorus enter as usual after the prologos, and that the first strophe is begun as soon as they are well within hearing of the stage. The whole passage is meant to interest the spectator in Philoctetes, and to prepare for the effect to be produced by his entrance, infr. 219. Cp. Aj. 201-332.

167-168. mvp-comment-114-1 οὐδέ τιν᾿ αὐτῷ . . ἐπινωμᾶν] (1) Nor brings to his relief any healer of his woe;' so the Scholiast: i.e. 'No healer comes to him.' See E. on L. §30. p. 52, d. Or (2) reading αὑτῷ. • Nor does any healer of his woes approach him. But there is no clear instance in early Greek of νωμᾶν being used absolutely = To move.' See note on infr. 717. (3) Linwood prefers, 'Nor does any man bring him a healer.'