Sophocles Philoctetes 165

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 135-217 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 165 focus
NEO
What know I?
740
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 169 focus
Innig jammert des Mannes mich,
Den kein menschliches Auge, das
Seiner hütet und wacht, erquickt,
Wie er, ewig allein, ach !
170
Am wildwühlenden Schmerze krankt
Und Noth leidet an Allem, was
Heischt des Lebens Bedarf. Wie nur, o wie trägt es der Arme nur?
Furchtbare Götterhand! 1
Weh, unseliges Staubgeschlecht,
175
Maßlos duldend im Leben!
Zweite Gegenstrophe.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 165 focus
Philoctetes
Alas ! my son,
I fear thy vows are vain. Behold my blood
Flows from the w^ound ? Oh ! how it pains me ! Now
It comes, it hastens ! Do not, do not leave me !
Oh ! that Ulysses felt this racking torture,
K'en to his inmost soul ! Again it comes !
Should not you bear these pangs as I have done 1
O death ! where art thou, death? so often called,
Wilt thou not listen ? wilt thou never come ?
Take thou the Lemnian fire, my generous friend,
Do me the same kind office which I did
For my Alcides. These are thy reward ;
He gave them to me. Thou alone deservest
The great inheritance. What says my friend ?
What says my dear preserver ] Oh ! where art thou ?
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 165 focus
Neoptolemus
How not know?
Philoctetes groans again.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 135-215 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

135-218. mvp-comment-91-1 We have here a commatic parados (cp. El., O. C.), in which Neoptolemus responds in anapaests to lyric measures chanted apparently by single members of the Chorus, as they take their places in the orchestra. Their entrance must be subsequent to l. 134, for the conversation in ll. 50 foll. would lose its effect if Odysseus and Philoctetes were not alone. The anapaests of Neoptolemus and l. 161, chanted by the coryphaeus, accompany movements of the Chorus, who at l. 169 have already taken up their position. The metres of the lyric part are as follows:- α΄. Glyc. β'. Glyc. γ. Glyc. It is evident that the lyric strains were accompanied with gesticulation, especially in στρ. and ἀντ. γ'. The fact that the Chorus at entering have some knowledge of that which has just been made known upon the stage, is not a sufficient reason for supposing them to have been present during any part of the previous scene. Similarly, in the O. T. the Chorus have been gathered by the news of the arrival of Creon from Delphi, which happens in the midst of the prologos, l. 87; and in the Ajax, the mariners speak of the slanders of Ulysses, which could only be disseminated after his exit. It is best, therefore, to suppose, as above, that the Chorus enter as usual after the prologos, and that the first strophe is begun as soon as they are well within hearing of the stage. The whole passage is meant to interest the spectator in Philoctetes, and to prepare for the effect to be produced by his entrance, infr. 219. Cp. Aj. 201-332.