Sophocles Philoctetes 151

ed. Lewis Campbell

φρουρεῖν φρορεῖν φρουρεῖν ὄμμ᾽ ἐπὶ σῷ μάλιστα καιρῷ·

Philoctetes. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 135-217 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 151 focus
PHI
Nay, I must take thee too.
My sickness craves thee for its comforter.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 150 focus
Du mahnst, o Herr, an Sorgen, die mich längst erfüllt,
Waches Auges zu sein für deinen Vortheil.
150
Aber sage mir nun, welches Haus er einsam bewohnt,
Welcher Ort ihn verbirgt.
Denn wohl thut es noth, daß ich erkundige,
(Sonst fällt er unvermerkt mich an,)
Wo er verweilt und verkehrt und sich lagerte,
155
Ob innen oder draußen.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 151 focus
Philoctetes
Can you not guess it?
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 151 focus
Neoptolemus
STRO. 2. ANTIS. 2. 730cont2
PHILOCTETES, returning from the
715
cave; CHORUS.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 135-215 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

135-218. mvp-comment-91-1 We have here a commatic parados (cp. El., O. C.), in which Neoptolemus responds in anapaests to lyric measures chanted apparently by single members of the Chorus, as they take their places in the orchestra. Their entrance must be subsequent to l. 134, for the conversation in ll. 50 foll. would lose its effect if Odysseus and Philoctetes were not alone. The anapaests of Neoptolemus and l. 161, chanted by the coryphaeus, accompany movements of the Chorus, who at l. 169 have already taken up their position. The metres of the lyric part are as follows:- α΄. Glyc. β'. Glyc. γ. Glyc. It is evident that the lyric strains were accompanied with gesticulation, especially in στρ. and ἀντ. γ'. The fact that the Chorus at entering have some knowledge of that which has just been made known upon the stage, is not a sufficient reason for supposing them to have been present during any part of the previous scene. Similarly, in the O. T. the Chorus have been gathered by the news of the arrival of Creon from Delphi, which happens in the midst of the prologos, l. 87; and in the Ajax, the mariners speak of the slanders of Ulysses, which could only be disseminated after his exit. It is best, therefore, to suppose, as above, that the Chorus enter as usual after the prologos, and that the first strophe is begun as soon as they are well within hearing of the stage. The whole passage is meant to interest the spectator in Philoctetes, and to prepare for the effect to be produced by his entrance, infr. 219. Cp. Aj. 201-332.

151. mvp-comment-105-1 φρουρεῖν . . καιρῷ] 'That I should fix a watchful glance on what is most opportune for thee.' For the use of the adverb in σῷ μ. καιρῷ τῷ μάλιστα ἐν καιρῷ ὄντι σοί, see Essay on L. § 24. p. 41. And for φρουρεῖν ὄμμα, cp. Τr. 914, κἀγὼ λαθραῖον ὄμμ᾽ ἐπεσκιασμένη | φρούρουν (where ὄμμα has the verbal meaning and in part at least depends on φρούρουν).