Sophocles Electra 191

Robert Potter (Translator)

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Electra
Such my state,
Such as by thee deplored.

Electra. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 191 focus
ἀεικεῖ σὺν στολᾷ συστολαι L. συστολαί C2 or 3.,
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 251-471 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 191 focus
CHR
Right. That is the misfortune of your case.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 193 focus
Wehruf scholl, als er zurückkam,
Wehruf scholl, als auf gastlichem Pfühl
Scharfzielend auf ihn einstürmte der Schlag,
Von dem ehernen Beile geschwungen.
Arglist sann's aus, Lust übte den Mord,
190
Und sie zeugten vereint graunvolle Gestalt
Graunvoll an das Licht, ob ein Gott, ob ein Mensch
Solche That verübt hat.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 191 focus
Electra
It is indeed that wretch.
1180
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 251-470 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-668-1 τί δή ποτ’ 1 μοι 2 ἐπισκοπῶν 3 τί 4

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1179-1187. mvp-comment-562-1 Before revealing himself, Orestes gazes fixedly at Electra, as if to realize by actual observation the depth of her misery, and in doing so utters brief ejaculations, to which she replies amazedly.

1186. mvp-comment-567-1 ἐν τῷ .. τῶν εἰρημένων] · In what that has been said did you discern this?' τῶν εἰρημένων marks Electra's unconsciousness that it is the sight of herself and her condition, and not any word spoken, that has moved the 'stranger.'