mvp-comment-660-1
It is well to observe the delicately gradual process which leads up to the recognition.
mvp-comment-660-2
(i) 1176—1187. She is surprised that
her woes should affect the stranger, and he hints that they are his own. (ii) 1188 —1198. She is thus led to speak more in detail of her sorrows, and of her despair,—caused by her brother's death. (iii) 1199—1204. He once more expresses his pity,—and this time in words which cause her to ask whether he can be a
kinsman. He does not give a direct answer, but inquires whether the Chorus are friendly, and is assured that they are so.
mvp-comment-660-3
The preparation is now complete: the actual disclosure follows. (i) 1205— 1210. He asks her to give him the urn which is in her hands: she entreats that she may be allowed to keep it, and to pay it the last honours. (ii) 1211—1217. He tells her that she ought not to mourn for her brother. ‘Why,’ she asks: ‘if these are his ashes?’ ‘They are not so,’ he replies,—taking the urn from her hands. (iii) 1218—1221. ‘Where, then,’ she asks, ‘is his grave?’ ‘The living have no grave.’ ‘He lives?’ ‘Yes,—as surely as I live.’
mvp-comment-660-4
ἔσχες ἄλγος
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mvp-comment-661-1
κλεινὸν
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