471-515.
mvp-comment-208-1
The following short ode, the first stasimon, consisting of a single strophe, antistrophe, and epode, dwells, first, on the renewal of hope which is brought to the upholders of the righteous cause by the announcement of the dream, secondly, on the guilt of those whom Vengeance will now assail, and thirdly, on the long chain of troubles, of which their crime is the continuation. The rhythm, beginning from three short glyconian lines, is chiefly iambic and trochaic, with an increasing number of long syllables toward the close of each movement. The metrical scheme is the following:-
488-489.
mvp-comment-217-1
καὶ πολύπους | καὶ πολύχειρ] With exceeding swiftness and might.' Like πᾶς and αὐτός in composition (E. on L. $ 55. p. 101), πολύς has here an intensive force, without having an exactly defined significance. Ср. πολύγλωσσος,
infr. 798.
490.
mvp-comment-218-1
Cp.
infr. 1396, 7, δόλον σκότῳ κρύψας πρὸς αὐτὸ τέρμα.
491.
mvp-comment-219-1
χαλκόπους] 'With adamantine,' i.e. (1) unwearying, 'footsteps.' Cp. χαλκὸς ἀτειρής. Or (2) Irresistible.'
492.
mvp-comment-220-1
ἐπέβα] «There came on,' as a dangerous event (οἶσιν = τούτων οἷς).
495-498.
mvp-comment-221-1
πρὸ τῶνδε .. συνδρῶσιν] ‘In the face of these things I feel assured that the portent which comes near to the doer or the abettor of the deed cannot be other than baneful.' In Sophocles, not as in Aeschylus, Aegisthus is the author, Clytemnestra the accessory, of the murder. In Aesch. Ag. 1609, he claims a greater share than the poet really attributes to him. For μήποτε, see E. on L. § 24. p. 41, y 2, and cp. Aj. 183.
499.
mvp-comment-222-1
μαντεῖαι βροτῶν] 'Divination, as an art in which mortals are concerned.' Cp. Ο. Τ. 709, βρότειον οὐδὲν μαντικῆς ἔχον τέχνης, and see Essay on L. § 40. p. 75.
500.
mvp-comment-223-1
οὐδ᾽ ἐν θεσφάτοις] The indication of the dream is as express and clear as any oracle. If the one fail of accomplishment, so must the other.