1058-1097.
mvp-comment-504-1
The Chorus lament, for Agamemnon's sake, over the quarrel between his daughters, which is added to the other troubles of his house, including the supposed death of Orestes, and express their admiration of Electra's attitude. Addressing her in the second strophe, they encourage her with words of sympathy and commendation. While Orestes lived, they bade her hope and trust. Now that they believe him to be dead, they are carried away by the heroism of her despair. That Electra remains upon the stage appears from
infr. 1105.
1070.
mvp-comment-515-1
Various corrections of νοσεῖ have been attempted, of which Wecklein's ὀνοστά is the most ingenious. Others are νοσεῖ δή, νοσεῖται, νοσεύει, to which one more may be added, νοσώδη. The point especially indicated in this line is the supposed death of Orestes, which leaves the house of Agamemnon apparently without hope of healing or purgation.
1071-1072.
mvp-comment-516-1
τὰ δὲ πρὸς τέκνων . . διαίτᾳ] (1) Most editors agree in understanding this to mean, 'While between his two children a quarrel has arisen that puts an end to the harmony of loving intercourse.' But (a) would Sophocles put φύλοπις for a private quarrel? Or (b) can φ. οὐκέτ᾽ ἐξισοῦται be construed so as to mean νείκει διίστανται? Another interpretation seems possible, if we may suppose the Chorus to have been carried away by the visionary hopes of Electra. Then (2) διπλή φύλοπις might be taken to mean the 'two-fold war-cry,' i.e. the combination of the two sisters for hostile purposes, which had seemed possible,
supr. 448-71 (note esp. ll. 453-6), and which Electra had depicted in such glowing colours in
supr. 967-89. This combination 'is no longer evenly maintained in concord,' since Chrysothemis has renounced her part in it. Or (3) φύλοπις may have lost its hostile association and be used etymologically (Essay on L. $ 54. p. 100 d) for 'the combined voice of the family' as a symbol of fraternal concord. The two sisters no longer 'speak the same thing.' This explanation may be further modified by taking διπλῆ τo mean 'divided.' 'The voices of their children are disparted and no longer harmoniously sustained in a life of affection.'
1072.
mvp-comment-517-1
σαλεύει] 'Endures the storm.' Essay on L. § 58. p. 105.
1075-1076.
mvp-comment-518-1
τὸν ἀεὶ .. στενάχουσ] Everlastingly mourning for her sire (πατρός, gen. of cause), unhappy maiden.' τὸν ἀεί, sc. χρόνον. Cp. Ο. C. 1584, 1701, and notes. If this 'idiotism' is rejected, it is necessary to have recourse to conjecture here, as well as to a forced explanation of the passages in the Oedipus Coloneus. Schndw. conjectures Ηλέκτρα πότμον ἀεὶ πατρός (retaining μá in the strophe): and this is adopted by Wecklein. Paley, Ἠλ. τὸν ἀεὶ πότμον (‘The irrevocable fate of death'). Dind., τὸν ἑὸν πότμον.
1077.
mvp-comment-519-1
For the correction, *πάνδυρτος for πανόδυρτος, cp. Ο. Τ. 1219, *δύρομαι
1077-1080.
mvp-comment-520-1
(MSS. ὀδύρομαι). And for the sense, cp.
supr. 148 foll.
1078-1080.
mvp-comment-521-1
οὔτε. Ἐρινύν] ‘Not avoiding death, but willing to die, if she may but destroy the twofold Evil Power.' Cp.
supr. 399, 956, 7. Electra has only spoken of killing Aegisthus. But see note on
supr. 987 foll. There is here a reminiscence of Aesch. Cho. 438, ἔπειτ' ἐγὼ νοσφίσας ὀλοίμαν.