Sophocles Electra 1372

Richard Jebb (Translator)

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Electra. Sophocles. Richard Jebb (Translator). Cambridge. 1894.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Experimental

Electra (English) (Sophocles the plays and fragments, Part 6: The Electra. Jebb, Richard Claverhouse, Sir, translator. Cambridge: Cambridge University Press, 1894. (Modernized by Perseus.))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 1372 focus
οὐκ ἂν μακρῶν ἔθ᾽ ἡμὶν ἡμιν ἡμῖν οὐδὲν ἂν λόγων,
Πυλάδη, τόδ' εἴη τοὔργον, ἀλλ᾽ ὅσον τάχος
χωρεῖν ἔσω, πατρῷα p προσκύσανθ᾽ ἕδη
θεῶν, ὅσοιπερ ὅσοι πρόπυλα ναίουσιν τάδε.
1375
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1372 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 1372 focus
Then, Pylades, we need no more to dwell
On words, but enter on this act with speed,
First worshipping the holy shrines o’ the Gods
That were my father’s, harboured at the gate.
1375
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1372 focus
Zu langen Reden haben wir, o Pylades,
1340
Jezt keine Zeit mehr; nein, es gilt nur ungesäumt
Hineinzutreten und der Götter altes Bild
Zu grüßen, die hier walten auf des Hauses Flur.
(Sie knieen vor dem Altar des Apollon nieder, und gehen dann in den Palast.)
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 1372 focus
Its welcome succour. But, oh ! why deceive me 1
Why wouldst thou kill me with thy dreadful tiilo,
E'en when thou hadst such happiness in store?
Hail ! father, hail ! — for I must caU thee so —
1380
Know, thou hast been to me, in one short day,
Both the most hated and most loved of men.
We will not talk, my Pylades, but act.
Let us go in. But to the gods who guard
This place be first due adoration paid.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 1372 focus
Not words, my Pylades, but deeds must now
Take place: this instant let us enter, first
With reverence bending to my father's gods,
That in this portal have their hallow'd seats.
1375

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-759-1 οὐδὲν 1

mvp-comment-760-1 πατρῷα 2

mvp-comment-760-2 ἕδη 3 πρόπυλα 4

mvp-comment-760-3 προσκύσαντε 5

mvp-comment-761-1 ἀφ’ ὧν 6

mvp-comment-761-2 ἔχοιμι 7

mvp-comment-761-3 λιπαρεῖ 8

mvp-comment-761-4 Blaydes and Wecklein read )πέστην 9

mvp-comment-762-1 ἐξ οἵων ἔχω 10 αἰτῶ 11

mvp-comment-762-2 1380 I read προπίπτω 12 προπίτνω 13 ι^ 14 ι— 15

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1372-1373. mvp-comment-644-1 οὐκ ἂν . . τοὔργον] It would seem, Pylades, that our business here no longer has to do with words.'

1374. mvp-comment-645-1 χωρεῖν] Sc. ἔργον ἐστὶν ἡμῖν.

1374-1375. mvp-comment-646-1 'Having first bowed before the shrines of my father's gods.' ὅσοιπερ .. τάδε] Cp. Aesch. Ag. 509-19, where Zeus, Apollo (supr. 637), Hermes, are expressly mentioned, and other deities spoken of as δαίμονες ἀντήλιοι.

1375. mvp-comment-647-1 - After some moments of silent devotion, Orestes, Pylades, the Paedagogus, and their attendants, enter the palace. Electra remains outside and prays aloud to Apollo.

1377. mvp-comment-648-1 σε is governed by λιπαρεῖ προὔστην χερί = ἱκέτευσά σε.

1378. mvp-comment-649-1 λιπαρεῖ . . χερί] 'Came before thee with ever-instant hand.' The gloss of Suidas, λιπαρεῖ· ἀφθόνῳ, πλουσίᾳ, must be attributed to misapprehension.

1379. mvp-comment-650-1 ἐξ οἴων ἔχω] Sc. εὐχομένη, 'Vowing of such things as I have.' Cp. Aesch. Cho. 486-8, ΗΛ. κἀγὼ χοάς σοι τῆς ἐμῆς παγκληρίας | οἴσω πατρῳων ἐκ δόμων γαμηλίους· | πάντων δὲ πρῶτον τόνδε πρεσβεύσω τάφον. This and the following lines are said by Electra in an attitude of prayer, and fitly prepare the spectator for the solemn strain which is raised by the Chorus after she has entered the palace at l. 1383.