1058-1097.
mvp-comment-504-1
The Chorus lament, for Agamemnon's sake, over the quarrel between his daughters, which is added to the other troubles of his house, including the supposed death of Orestes, and express their admiration of Electra's attitude. Addressing her in the second strophe, they encourage her with words of sympathy and commendation. While Orestes lived, they bade her hope and trust. Now that they believe him to be dead, they are carried away by the heroism of her despair. That Electra remains upon the stage appears from
infr. 1105.
1082-1086.
mvp-comment-523-1
οὐδεὶς.. εἵλου] (1) According to Hermann's explanation of these lines, they state with greater calmness the reason of Electra's action, for which the preceding words express unbounded admiration. It would be hard to find a parallel for Electra's conduct, and yet it is that which every noble mind would choose. The truth is (γάρ), no one of noble strain is willing to live on in misery, degradation, and oblivion. Even so thou, O my daughter, didst choose the lot which all men share and all lament' (viz. death), 'so as, arming' (against thyself acc. to Herm. acc. to Schol. 'subduing'-) 'the power of wrong, to win a twofold renown, in being celebrated for wisdom as well as for the highest filial duty.' Cp. Trach. 721, 2, ζῆν γὰρ κακῶς κλύουσαν οὐκ ἀνασχετόν, | ἥτις προτιμᾷ μὴ κακὴ πεφυκέναι : Αj. 479, 80, ἀλλ᾿ ἡ καλῶς ζῆν ἢ καλῶς τεθνηκέναι τὸν εὐγενῆ χρή. Two points in this interpretation admit of doubt, the use of αἰῶνα for the state of the dead, and the meaning given to καθοπλίσασα. For the former, cp. O. С. 1551, 2, τὸν τελευταῖον βίον κρύψων ἐς "Αιδην, and note. Hermann's explanation of καθοπλίσασα, sc. κατὰ σεαυτοῦ, was an expedient which he adopted in order to avoid that of the Scholiast, καταπολεμήσασα καὶ νικήσασα, which appeared impossible. Either (2) the Scholiast should be followed in spite of analogy, or there is some corruption. Herm. doubtfully suggested καθιππάσασα. Other conjectures are καθυπνίσασα, καταπτύσασα. Qy. καθαγνίσασα (?), i.e. ' purging away as if by fire;' cp.
supr. 70, δίκῃ καθαρτὴς πρὸς θεῶν ὡρμημένος : Eur. Or. 39, 40. ἐξ ὅτου σφαγαῖς θανοῦσα μήτηρ πυρὶ καθήγνισται δέμας, According to another line of interpretation (3), the connection is to this effect :- Electra is peerless, for none amongst the nobly-born are found to allow their glory to be soiled in a life of misery, as Electra does, choosing to share the common lot of affliction, if only she may subdue the criminals, etc. But εὔκλεια cannot =ἀγλαΐα (
supr. 211), and although the sentiment that the greater number of mankind are born to trouble is not un-Greek, it is hardly Sophoclean or appropriate here. Others would read κλεινὸν for κοινόν.
