Sophocles Electra 287

Thomas Francklin (Translator)

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Electra
1397cont2
Hear, then, Apollo, great Lycnean, hear
Who with unsparing hand her choicest gifts
Hath never failed to lay before thy altars !
Accept the little all which now remains
For me to give, accept my humblest prayers,
My vows, my adorations ; smile propitious
On all our counsels ! Oh ! assist us now,
And show mankind what punishment remains
For guilty mortals from ofiended Heaven. [Exeunt.
JJehokl, lie comes ! the slaugliter-beariiig god
Mars, ever thirsting for the murderer's blood ;
And see ! the dogs of war are close behind ;
Naught can escape their all-devouring rage.
This did my conscious heart long since pi'esage,
And the fair dream that struck my raptured mind.
Th' avenger steals along with silent feet,
And sharpened sword, to his paternal seat,
His injured father's wrongs to vindicate ;
Concealed from all by Maia's fraudful son,
Who safe conducts him till the deed be done,
Nor longer will delay the needful work of fate.
Plectra. O my dear friends I they are about it now.
The deed is doing. But be still.

Electra. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 275 focus
ἡ δ᾽ ἤδ' L Pal. Schaef. corr. ἡ δ' A. ὧδε τλήμων ὥστε τῷ μιάστορι
275
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 251-471 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 287 focus
EL
Ah me! thou hast unveiled
1245
And thrust before my gaze
That burning load of my distress
No time will soothe, no remedy will heal.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 282 focus
Ich Kind des Unglücks, muß ich das im Hause seh'n,
Vergehe, weine, schluchze laut zu diesem Mahl
275
Des Jammers, das sie meines Vaters Mahl benennt,
Allein für mich; denn auch zu weinen ist mir nicht
So viel vergönnt, als meines Herzens Drang genügt.
Denn diese nach dem Namen hochgesinnte Frau 1
Rust höhnend dann mir diese bösen Worte zu:
280
Gottloses Scheusal, ist der Vater dir allein
Gestorben? Trauert außer dir kein Mensch um ihn?
Stirb hin in Elend, und von diesem Fammer soll
Dich auch der Todesgötter Macht niemals befrein! 2
So ruft sie trozend. Aber hört sie dann einmal,
285
Orestes komme, rennt sie flugs auf mich daher,
Und schreit und wüthet: dir allein, dir dank' ich das!
Es war ja dein Werk; hast du doch aus meinem Arm
Entwandt Oresten, und geheim ihn fortgeschafft!
Doch wisse: büßen sollst du mir verdienten Lohn!
290
So bellt sie tobend, und an ihrer Seite reizt
Ihr hochgerühmter Buhle sie noch mehr dazu,
Der überall feigherzig Allverderbliche,
Der im Verein mit Frauen seine Schlachten schlägt.
Ich, ewig harrend, daß Orestes mein Geschick
295
Zu wenden komme, schwinde hin in meinem Gram.
Denn ewig zaudernd hat er meine Hoffnungen,
Die nahen, wie die fernen, mir in Nichts verkehrt.
In solcher Noth, ihr Lieben, wer mag Mäßigung,
Wer fromme Tugend üben? Traun, im Uebel drängt
300
Es uns gewaltsam, auch zu thun, was übel ist.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 287 focus
Clytemnestra
My son, my son
Have pity on thy mother!
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 251-470 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-774-1 A kommos. It falls into two principal parts. (1) 1398—1421; the death of Clytaemnestra. (2) 1422— 1441; Orestes and Pylades re-enter; Aegisthus approaches; and they prepare to receive him.

mvp-comment-774-2 The general structure of this kommos is clearly strophic; but critics differ on details. The simplest view is that of Dindorf and others, that vv. 1398—1421 form a single strophe,=antistr. 1422— 1441. The lyric verses 1407, 1413—4, and 1419—1421, correspond respectively with 1428, 1433—4, and 1439—1441: for these, see Metrical Analysis. It is usually held, with Hermann, that the correspondence of the iambic trimeters also must be exact. This makes it necessary to assume a gap in our text after v. 1427 (n.), and a second after 1429 (n.), besides the defect in 1432. See Appendix.

mvp-comment-774-3 Electra hastens out of the house. She performs the part of an

<*>ξάγγελος
, so far as to describe the situation at this moment in the house: then Clytaemnestra's cry is heard, like that of the dying king in Aesch. Ag. 1343 ff. In the Orestes (408 B.C.) Electra has a similar part, perhaps suggested by this. Helen's cry is heard within, and Electra says to the Chorus (1297),
ἠκούσαθ); ἅνδρες χεῖρ’ ἔχουσιν ἐν φόνῳ
.

mvp-comment-775-1 τελοῦσι 1

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1398-1441. mvp-comment-660-1 The following passage (1398-1441), although consisting largely of senarii, appears to be antistrophic, nearly corresponding even in the division of the lines. According to this view ll. 1404-1406 are either (1) not to be counted in the strophe, or (2) lines answering to them after l. 1427 must be supposed to have been lost. As the lines in question relate to the sudden cry of Clytemnestra from within, the former supposition is sufficiently probable. Cp. note on O. C. 117 foll., vol. i. p. 298 (Ist column). In the 'strophe,' ll. 1398-1421, Clytemnestra is put to death, -in the 'antistrophe,' ll. 1422-41, the bleeding sword is displayed, and Aegisthus is descried. The young men then retire into the palace, and Electra waits outside.

1399. mvp-comment-661-1 τελοῦσι is future. πρόσμενε] Addressed to the Coryphaeus.