Sophocles Electra 195

Thomas Francklin (Translator)

View: By Card
Electra
For me
Doubtless thou weepst, for I am changed indeed.

Electra. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 195 focus
ὅτε σοι παγχάλκων ἀνταία
195
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 251-471 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 195 focus
CHR
Well, if you do it, you will find me wise.
1045
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 193 focus
Wehruf scholl, als er zurückkam,
Wehruf scholl, als auf gastlichem Pfühl
Scharfzielend auf ihn einstürmte der Schlag,
Von dem ehernen Beile geschwungen.
Arglist sann's aus, Lust übte den Mord,
190
Und sie zeugten vereint graunvolle Gestalt
Graunvoll an das Licht, ob ein Gott, ob ein Mensch
Solche That verübt hat.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 195 focus
Electra
How from my words
Dost thou now know them?
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 251-470 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-668-1 τί δή ποτ’ 1 μοι 2 ἐπισκοπῶν 3 τί 4

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1179-1187. mvp-comment-562-1 Before revealing himself, Orestes gazes fixedly at Electra, as if to realize by actual observation the depth of her misery, and in doing so utters brief ejaculations, to which she replies amazedly.

1186. mvp-comment-567-1 ἐν τῷ .. τῶν εἰρημένων] · In what that has been said did you discern this?' τῶν εἰρημένων marks Electra's unconsciousness that it is the sight of herself and her condition, and not any word spoken, that has moved the 'stranger.'