Sophocles Electra 328

mvp-comment-764-1 ἴδεθ’ ¹ ὅπου ²

mvp-comment-764-2 προνέμεται ³

mvp-comment-764-3 Campbell suggests that the image in

is from fire ‘eating its way’ forward, and compares Her. 5. 101 . This hardly agrees so well with the idea of a stealthy advance.

mvp-comment-765-1 τὸ δυσέριστον αἷμα ⁴

mvp-comment-765-2 φυσῶν ⁵

mvp-comment-766-1 δωμάτων ὑπόστεγοι ⁶

mvp-comment-767-1 μετάδρομοι … κύνες ⁷

mvp-comment-768-1 ἀμμενεῖ ⁸

mvp-comment-769-1 τοὐμὸν φρενῶν ὄνειρον ⁹

mvp-comment-769-2 αἰωρούμενον ¹⁰

mvp-comment-770-1 ἐνέρων … ἀρωγός ¹¹

mvp-comment-771-1 ἀρχαιόπλουτα ¹²

mvp-comment-772-1 νεακόνητον αἷμα χειροῖν ἔχων ¹³

mvp-comment-772-2 The bold use of αἷμα ¹⁴ χειροῖν ἔχων ¹⁵ αἷμα ¹⁶

mvp-comment-772-3 If νεάκονητον ¹⁷ α ¹⁸

mvp-comment-773-1 ὁ Μαίας δὲ παῖς ¹⁹

mvp-comment-773-2 Ἑρμῆς σφ’ ἄγει ²⁰ ς ²¹ σφ’ ²²

mvp-comment-774-1 A kommos. It falls into two principal parts. (1) 1398—1421; the death of Clytaemnestra. (2) 1422— 1441; Orestes and Pylades re-enter; Aegisthus approaches; and they prepare to receive him.

mvp-comment-774-2 The general structure of this kommos is clearly strophic; but critics differ on details. The simplest view is that of Dindorf and others, that vv. 1398—1421 form a single strophe,=antistr. 1422— 1441. The lyric verses 1407, 1413—4, and 1419—1421, correspond respectively with 1428, 1433—4, and 1439—1441: for these, see Metrical Analysis. It is usually held, with Hermann, that the correspondence of the iambic trimeters also must be exact. This makes it necessary to assume a gap in our text after v. 1427 (n.), and a second after 1429 (n.), besides the defect in 1432. See Appendix.

mvp-comment-774-3 Electra hastens out of the house. She performs the part of an

, so far as to describe the situation at this moment in the house: then Clytaemnestra's cry is heard, like that of the dying king in Aesch. Ag. 1343 ff. In the Orestes (408 B.C.) Electra has a similar part, perhaps suggested by this. Helen's cry is heard within, and Electra says to the Chorus (1297), .

mvp-comment-775-1 τελοῦσι ²³

mvp-comment-776-1 τάφον ²⁴

mvp-comment-776-2 λέβητα ²⁵

mvp-comment-776-3 κοσμεῖ ²⁶

1384ff. mvp-comment-652-1 In a single strophe and antistrophe (cp. O. C. 1556-1578) the Chorus (1) augur the success of the dreadful enterprize, and (2) recognise the presence of Hermes, who is conducting it. Beginning with a resolved cretic (the fourth paeon) the rhythm becomes first dochmiac and then iambic.

1384-1385. mvp-comment-653-1 'Behold ye, where the God of Strife advances panting forth the eager blood-drops of a fatal feud;' i. e. full of his slaughterous intent. προνέμεσθαι is said to mean literally, To go forward in grazing' (L. and S.). But the image immediately suggested is rather that of a fire, which may also be said 'to eat its way.' Cp. Aj. 197 foll., and notes: Hdt. 5. 101, αὐτίκα ἀπ᾿ οἰκίης ἐς οἰκίην ἰὸν τὸ πῦρ, ἐπενέμετο τὸ ἄστυ ἅπαν : ib. τὰ περιέσχατα νεμομένου τοῦ πυρός : Thuc. 2. 54, ἡ νόσος . . ἐπενείματο ᾿Αθήνας μὲν μάλιστα, ἔπειτα δέ, κ.τ.λ. δυσέριστον is either (1) as the Scholiast explains it, δι' ἔριν γινόμενον κακόν, Instinct with the evil of contention;' or (2) Irresistible; ' ' ineluctabilem caedem spirans' (Jacobs). αἷμα is here the spirit of bloodshed. See Essay on L. § 42. p. 80 β, and for a similar confusion, cp. Aesch. Ag. 1428, λίπος ἐπ᾿ ὀμμάτων αἵματος ἐμπρέπει,

1387-1388. mvp-comment-654-1 Clytemnestra and Aegisthus were above spoken of as an embodiment of the Alastor (supr. 198-200). Similarly, Orestes and Pylades are here identified with the Erinyes. In the antistrophe, ll. 1391, 2, Orestes is described in vaguely impressive language as the ‘ helper of the powers below,’ ἐνέρων .. ἀρωγές. For 'help' = 'vengeance,' cp. supr. 811, and note.

1389. mvp-comment-655-1 The emendation suggested by Wunder, consisting only in the change of an accent (see v. rr.), seems to be required by the sense. 'My soul's-vision (supr. 479-81) has not long to linger unaccomplished' (lit. in suspense, cp. supr. 501).

1392. mvp-comment-656-1 εἴσω στέγας] The construction is Homeric, cp. Il. 21. 124, 5, ἀλλὰ Σκάμανδρος | οἴσει δινήεις εἴσω ἁλὸς εὐρέα κόλπον.

1395. mvp-comment-657-1 νεακόνητον.. ἔχων] ‘Holding with his hands the newly - whetted Death.' In αἷμα the effect is put by metonymy for the cause. Essay on L. § 42. p. 81. For νεακόνητον, cp. Aesch. Ag. 1535, 6, δίκην δ᾽ ἐπ᾿ ἄλλο πρᾶγμα θηγάνει βλάβης | πρὸς ἄλλαις θηγάναισι Μοῖρα. The quantity probably, though not certainly, follows the analogy of νεᾶκονής (Doric for νεηκονής). Hermann's νεο-κόνητον involves an awkward prolepsis.

1396. mvp-comment-658-1 δόλον σκότῳ κρύψας] Cp. Aesch. Cho. 812-8. The words πρὸς αὐτὸ τέρμα, though joined primarily with ἄγει, are to be resumed with κρύψας ('Concealing the guile till close upon the goal ').

1397. mvp-comment-659-1 After this line there is a pause, in which Electra comes forth to watch for Aegisthus. In tones of suppressed excitement she tells what is going on within.

1398-1441. mvp-comment-660-1 The following passage (1398-1441), although consisting largely of senarii, appears to be antistrophic, nearly corresponding even in the division of the lines. According to this view ll. 1404-1406 are either (1) not to be counted in the strophe, or (2) lines answering to them after l. 1427 must be supposed to have been lost. As the lines in question relate to the sudden cry of Clytemnestra from within, the former supposition is sufficiently probable. Cp. note on O. C. 117 foll., vol. i. p. 298 (Ist column). In the 'strophe,' ll. 1398-1421, Clytemnestra is put to death, -in the 'antistrophe,' ll. 1422-41, the bleeding sword is displayed, and Aegisthus is descried. The young men then retire into the palace, and Electra waits outside.

1399. mvp-comment-661-1 τελοῦσι is future. πρόσμενε] Addressed to the Coryphaeus.

1401. mvp-comment-662-1 λέβητα κοσμεῖ] ‘ She is decking the urn,' adorning it with wreaths for funeral consecration. Cp. Aesch. Cho. 686. Mr. Paley doubts, surely unnecessarily, if the cinerary urn be meant here as in Aesch. Cho. 686.