Sophocles Electra 220

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 251-471 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 220 focus
EL
1126
O monument of him whom o’er all else
I loved! sole relic of Orestes’ life,
How cold in this thy welcome is the hope
Wherein I decked thee as I sent thee forth!
Then bright was thy departure, whom I now
Bear lightly, a mere nothing, in my hands.
Would I had gone from life, ere I dispatched
Thee from my arms that saved thee to a land
Of strangers, stealing thee from death! For then
Thou hadst been quiet on that far off day,
And had thy portion in our father’s tomb
Now thou hast perished in the stranger land
Far from thy sister, lorn and comfortless
1130
And I, O wretchedness! neither have bathed
1130
And laid thee forth, nor from the blazing fire
1130
Collected the sad burden, as was meet
But thou, when foreign hands have tended thee
Com’st a small handful in a narrow shell
Woe for the constant care I spent on thee
Of old all vainly, with sweet toil! For never
Wast thou thy mother’s darling, nay, but mine,
And I of all the household most thy nurse,
While ‘sister, sister,’ was thy voice to me
But now all this is vanished in one day,
Dying in thy death. Thou hast carried all away
As with a whirlwind, and art gone. No more
My father lives, thyself art lost in death,
1135
I am dead, who lived in thee. Our enemies
1135
Laugh loudly, and she maddens in her joy,
1135
Our mother most unmotherly, of whom
Thy secret missives ofttimes told me, thou
Wouldst be the punisher. But that fair hope
The hapless Genius of thy lot and mine
Hath reft away, and gives thee thus to me,—
For thy loved form thy dust and fruitless shade
O bitterness! O piteous sight! Woe! woe!
Oh! sent on thy dire journey, dearest one,
How thou hast ruined me! Thou hast indeed,
Dear brother! Then receive me to thyself,
Hide me in this thy covering, there to dwell,
Me who am nothing, with thy nothingness,
For ever! Yea, when thou wert here above,
1140
I ever shared with thee in all, and now
1140
I would not have thee shut me from thy tomb.
1140
Oh! let me die and follow thee! the dead,
My mind assures me now, have no more pain.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 213 focus
Halt' ein, halt' ein! Nicht weiter!
Sieht nicht dein Herz, daß also nur
Von den Höhen des Glücks in entehrende Schmach
Dein heftiger Sinn dich hinabstürzt?
Denn größeres Leid noch schufest du dir,
210
Weil rastlos dein mißmuthiger Geist
Sich Fehden gebar: mit den Mächtigen, Kind,
Darfst du so nicht hadern.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 220 focus
Electra
O my poor brother ! If thy dear remains
Are wrest-ed from me, I am most unhappy.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 220 focus
Orestes
Speak words of happier omen; for no cause
Hast thou to mourn.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 251-470 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

219-220. mvp-comment-128-1 τὰ δὲ.. πλάθειν] ‘But strife with the powerful is hopeless.' The vague rá is to be supplemented from what precedes and follows,- sc. τὰ πολεμούμενα, οι τὰ ἐρίδος ἐχόμενα. Cp. Plat. Symp. 206 C, ταῦτα δ᾽ ἐν τῷ ἀναρμόστῳ, -sc. κυούμενα καὶ γεννώμενα, - Pind. Nem. 10. 135, χαλεπὰ δ' ἔρις ἀνθρώποις ὁμιλεῖν κρεσσόνων: ΟΙ. 11. 48, νεῖκος δὲ κρεσσόνων ἀποθέσθ᾽ ἄπορον. πλάθειν, sc. τοῖς δυνατοῖς, is epexegetic infinitive.