Sophocles Oedipus Tyrannus 163

Lewis Campbell (Translator)

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JO
I pray thee, husband, listen to his plea;
Chiefly respecting his appeal to Heaven,
But also me, and these who stand by thee.

Oedipus Tyrannus. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.

Current edition Experimental

English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 163 focus
τρισσοὶ ἀλεξίμοροι προφάνητέ μοι,
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 151-215 focus
Translations (4)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 159 focus
Dich erst rus' ich, Athene, des Zeus unsterbliche Tochter;
Auch Schwester, dir, des Landes Hut,
160
Artemis, sizend im Kreise des Markt's auf strahlendem Throne, 1
Und Phöbos, dem Treffenden, fleh' ich:
Drei todwehrende Götter, erscheinet mir! 2
Schafftet ihr einst, als über die Häupter des 3
Volkes der Fluch herab
165
Schwebte, die Glut des Verderbens hinaus, o zeiget auch jezt euch!
Zweite Strophe.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 163 focus
Oedipus
( )r ^rant he should, the oracle was ne'er
Right, my Jocasta ; but, I beg thee, send
And fetch this shepherd ; do not fail.
Joe. I will
This moment ; come, my lord, let us go in ••
I will do nothing but what pleases thee, - [Exeunt.
Grant me henceforth, ye powers divine,
In virtue's purest paths to tread !
In every word, in every deed.
May sanctity of manners ever shine !
Obedient to the laws of Jove,
977
The laws descended from above.
Which, not like those by feeble mortals given,
Buried in dark oblivion lie,
Or worn by time decay, and die,
But bloom eternal like their native heaven !
Pride first gave birth to tyrflnufi^r"^
That hateful vice, insulting pride,
When, every human power defied,
She lifts to glory's height her votary ;
Soon stumbling, from her tottering throne
985
She throws the wretched victim down.
985
But may the pfod indulgent hear my prnyer,
985
That god wliom humbly I adore,
985
Oh ! may he smile on Thebes once more,
985
And take its wretched monarch to his care !
985
Perish the impious and profane,
985
Who, void of reverential fear.
985
Nor justice nor the laws revere,
985
"Who leave their god for pleasure or for gain !
Who swell by fraud their ill-got store,
Who rob the wretched and the poor !
If vice unpunished virtue's meed obtain,
Who shall refrain the impetuous soul,
The rebel passions who control,
Or wherefore do I lead this choral train ?
No more to Delphi's sacred shrine
Need we with incense now repair,
No more shall Phocis hear our prayer ;
Nor fair Olympia see Jier rites divine ;
If oracles no longer prove
The power of Phoebus and of Jove.
Great lord of all, from thy eternal throne
Behold, how impious men defame
Thy loved Apollo's honoured name ;
Oh ! guard his rights, and vindicate thy own. [Exeunt.
'Scene I.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 163 focus
Oedipus
Where? In what land befel this dire event?
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 151-215 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-409-1 ὅρκον θεῶν 1

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

646. mvp-comment-378-1 πίστευσον τάδε Cp. Eur. Hel. 710, λόγοις δ᾽ ἐμοῖσι πίστευσον τάδε.

647. mvp-comment-379-1 τόνδ' .. θεῶν The word ἀραῖος implied an appeal to the Gods.

647. mvp-comment-379-2 θεῶν Not objective gen. = The oath sworn by the Gods; but rather, This divine or sacred oath. The oath is regarded as a sacred presence and almost personified. Cp. O. C. 1767, χώ πάντ' ἀΐων Διὸς ὅρκος: Xen. Anab. 3. I, 22. Ant. 607. Thuc. 5. 30, θεῶν. . κώλυμα = θεῖον κώλυμα.

648. mvp-comment-380-1 foll. Sophocles has here employed the chorus with great skill. Without any pause in the action, which must be continued until the colloquy between Jocasta and Oedipus has taken place, the short musical strains which allay the exasperation of Oedipus and assure him of his people's loyalty, also relieve the mind of the spectator from the tension caused by the preceding dialogue, and prepare him to give undivided attention to the central scene-in which the first doubt is suggested to the mind of Oedipus, while the impious confidence of στρ. α. ト Jocasta is revealed. Lines from 649 to 659 correspond to 678-688, and lines 660-668 correspond to 689-697. In this commation cretic and dochmiac measures are varied with iambic and trochaic rhythms. The 2nd strophe begins with a molossus. The frequent antispastic or syncopated movement has the effect of expressing the disturbed feelings of the chorus. The scansion is as follows:- つ しかし alc D ככמו στρ. β. - - C دد 10 つ داد 다 UCICI 11 つ دد IDID 스 C CICICICI トー 스 ווכ 스 ככון ICC CCI 1 D DO